Monthly Archives: November 2016

Writing Without Mercy

My students in my evening university class are wondering what happened.

The mild-mannered teacher who gave them moderate amounts of homework during the last term has suddenly given them as much homework in two classes as he gave them in two weeks last term.

Unfortunately for them, the new course is intended to develop both reading and writing fluency and reading and writing speed and that means lots of writing and then even more writing. For example, they are required to write 150+ words a day in a journal. They can choose the topic, although I sometimes give them a topic that serves them for one day’s worth of journal.

On top of that they have readings, including reading scrolls that force them to read quickly and graded readers that force them to read, well, whatever reader we happen to have on hand.

Unfortunately, it also means more work for me. None of us will find mercy, I guess.

I’ve Got a Pen I’ve Got a Headache

My students thought I was about to sing. They don’t know me that well.

Because it’s done by a Japanese comedian, the P.P.A.P. phenomenon has hit Japan without mercy. It’s on the news. The singer is all over the variety show ecosystem. His costume was a big hit over Halloween.

Students of all ages at the school where I work are singing it. It’s in the phase where students will spontaneously burst into the song. It’s got the point where I’m ready to start using pencils because the singing starts every time I mention the word pen. (Ah, but PENcil. Never mind.)

The only good thing about the P.P.A.P. phenomenon is that it will go away quickly, at least here in Japan. The Japanese public will make something ridiculously popular, especially unfunny comedians, but that intense popularity guarantees that the interest will fade away quickly.

By contrast, the Gangnam Style fad barely made a ripple here, although that may be because of Japan vs Korea rivalry. Although I remember some university students singing it at one point, and even having a dance contest, I don’t remember seeing it on TV even once.

Today, when I was looking for my pen I said “I’ve got a pen.” The entire class suddenly went “Whoa” and watched me. I hammed it up by saying “What? I’ve got a pen? What?”

Now I’ll have to see how long I can use that trick to get everyone’s attention.

 

Dragging Out the Week Early

This week gets the pleasure of being my busiest week of the term. It’s already time for it be over.

The school where I work is starting up after a break. My evening class is starting up. My Sunday class is starting again, I have high school club and, just to rub salt in the wound, the company I work for is sending an observer for my last class of the week in order to tell me how to teach. Something like that.

That means tonight’s and Thursday’s entries will be tokens. This is complicated even more by me having to catch a later train than normal earlier tonight.

Now it’s off to bed.

Field Notes Sweet Tooth–Longish Term Review

I gave the blue ones away to our girls. As of today, our youngest doesn’t know where hers is. That pretty much sums up my reaction to the Field Notes Sweet Tooth Quarterly Edition.

For their quarterly editions Field Notes will, on occasion, attempt to shock its subscribers to the point that they begin to reconsider their subscriptions. They’ve changed the size, changed the shape, and used plastic paper that seems to work with only one or two ballpoint pens.

For the Sweet Tooth edition they did a good thing (offered a notebook with blank pages); a neutral thing (added perforations to the pages); but then did something that made the notebooks unusable (made the pages the same color as the cover).

When I got them I tested out a few pens and quickly realized that although the 70# paper was fountain pen friendly, the red only really worked with black ink and inks with sheen.

I quickly gave the blue ones (aka Blu-Raspberry) away and then tried to think of a use for the Redish and Yellow (aka Tangy Orange and Banana Split, respectively). I finally decided to use them in my class by making them the books for any “yellow cards” and “red cards” I give out. I can hold up the notebook, announce the card and then write the students’ names in the book.

The Banana Split and the Tangy Orange with a special warning stamped on the front.

The Banana Split and the Tangy Orange with a special warning stamped on the front.

In my system, three yellow cards equals a red card which equals homework. I will also give them out to an entire class during special activities where no Japanese is allowed. (The record: four red cards.)

The yellow and red card are noted. When three yellows become a red, they get crossed out.

The class yellow and red cards are noted. Please note the perforations. (Also: the colors are reasonably accurate here.)

That’s about all I can think of for ways to use this book. Some people use them to leave notes, others actually enjoy them for the artistic possibilities.

Although some of the experiments on the quarterly editions have been surprisingly good, (Arts & Sciences and Byline) this one is disappointing. The colors are great, but I’d rather see the colorful cover and blank pages; or to see lines or dot-grids that match the cover.

Once their gone, I’ll need a new red and yellow card system, but I won’t miss the Sweet Tooth much.

MUJI Fountain Pen–Long Term Review

After over eight months of fairly regular use, I’m still not completely sure what I think about the MUJI Fountain Pen. But I mostly like it. Mostly.

The outside of the MUJI Fountain Pen.

The outside of the MUJI Fountain Pen.

I don’t like the sandblasted texture, which feels a bit like scratching your fingers across a chalkboard the first time you touch it. However, the texture does a great job of hiding finger prints and absorbing dings and scratches.

The tiny clip on the tiny cap looks like a joke, but it’s tight and fits most shirt pockets (if you’re a men’s L or XL anyway) but the pen is long enough that the small clip causes the bottom to swing around too much.

I don’t like the rubberized finials as they only seem to get dark and dingy looking.

Pulling the cap on and off is annoying and, at first, gives you more of that fingernails on a chalkboard feeling. On the other hand, once it’s posted, it’s secure and won’t fall out.

The tube-in-a-tube design is very strange, but it does keep the fingers away from the nib, although it forces you to keep your fingers back farther than you may find comfortable.

Close up of the tube-in-a-tube design and the knurling.

Close up of the tube-in-a-tube design, the Schmidt nib, and the knurling.

The knurling is slippery at first, which is odd, but I’ve gotten used to it.

In the end, what sells this pen is the Schmidt nib. It’s smooth and just wet enough that it can leave impressive marks on student exams without bleeding through the paper. I’ve marked hundreds of exams and essays with it and always miss it when I’m forced to use something else. It could just be that I like Parker Quink red ink, which is dark and not pink like a lot of other reds, or that I just like the notion of marking exams with a fountain pen.

The nib does seem a bit small and out of proportion with the rest of the pen, but it’s one of the best writers I have. I even forgive it being slightly too narrow.

Also, after months of regular use, all the parts still seem as tight as when they were new. There’s been some finish wear around the bottom of the cap, but that’s out of sight most of the time.

I’ll keep using the pen, and I recommended people try it. I can’t recommend it as a first fountain pen, but it is worth getting, along with a converter, for people ready to make the leap to bottled ink. The tube-in-a-tube design also lets people fill it without worrying about having to grip the inky part.

Penxo 2mm Lead Holder–Long Term Review

Note: According to feedback on Kickstarter, many Penxo backers have not received their products after more than a year . This may explain why the Penxo staff have not responded to my question about availability. Despite this, I’ve decided to review them as they are available used. I would, however, refrain from making any pre-orders.

I didn’t really have plan for using the Penxo 2mm Lead Holders when I backed the Kickstarter. Now, over a year later, I still don’t have a plan for using them.

The Penxo is an awesome design (it won a 2015 Reddot Award for design) and that’s part of what convinced me to back the Kickstarter. They hold 2mm lead sticks in an aluminum body that is 5.38 inches (136.6 mm) long but weighs less than an ounce. I like that you can see how much lead is left and quickly swap the lead your using for a new version or different color.

The lead is extended by pressing on the body inside the groove and letting the lead drop to the writing surface. The lead is returned by pressing on the body and then pressing the Penxo down. This technique looks really cool, however, it takes some practice and failure to do it well probably drove many users away. Lately I’ve found that I do it automatically, I’m even learning to do it without having to reposition the holder much, but there was some frustration and swearing involved early on.

(Note: I do not blame the designers for this, only my own lack of coordination.)

A pair of Penxos in Galactic Gold and Stealth Grey.

A pair of Penxos in Galactic Gold and Stealth Grey.

I chose Galactic Gold and Stealth Grey for no particular reason, but think they look great in person. The  anodizing has held up well, at least on the gold, which has been beaten around in a pen cup. The grey has spent a lot of time in pen cases not being used.

Details of my Penxo Lead Holders.

Details of my Penxo Lead Holders. There are no scratches after a year.

The Penxos shipped with an eraser and a crap lead pointer that I quickly replaced with a better version.

The main issue I have with the Penxo is that I have no real use for it. It has a great design and is fun to play with, and I do try to use one of mine at least once a week, but it doesn’t seem like something I’d use if I were a professional artist or architect.

Even leaving it around as a gateway drug for others to play with hasn’t worked out that well as the technique involved in extending and retracting the lead requires some practice. People try it, but the lead doesn’t extend and they have to pass it back to me.

I hope the company manages to meet all its orders and gets back in business. Maybe, by then, I’ll have figured out a use for mine.

 

Nakaya Cigar Portable Kuro-Tamenuri–Longish Term Review

In honor of Fountain Pen Day, a fountain pen review I’ve been putting off for a while.

I had intended to buy my grail pen later, but then one came available online for a surprisingly good price. After careful consideration of five minutes or so I decided that if the pen was available when I visited a couple days later, I might buy it.

I’m still not sure if I wanted it to be there when I got there or not. But it was there and I liked it enough to buy it. Then I had it fixed.

Nakaya pens are grail pens for a large number of pen addicts. They are handmade from ebonite (hard rubber) and hand coated with Japanese wakashi urushi lacquer. This gives them a rich look that other pen makers have a hard time duplicating. (More on that later.)

Mine is a Cigar Portable Kuro-Tamenuri (Black “pool” lacquering process, which doesn’t sound that sexy). Despite the name, it looks mostly black, except for areas where the months of coating and polishing revealed the red urushi layers.

The capped pen. You can see the red layers where the cap meets the barrel.

The capped pen. You can see the red layers where the cap meets the barrel.

Another view, with more red layers exposed.

Another view, with more red layers exposed.

It wasn’t my first color choice for my grail pen, but I’ve learned to  like the predominantly black look because it’s a pen that can be used in business or or in public with out attracting much attention, except from fellow pen addicts.

It has a 14K gold broad nib that has a nice bit of flex to it, although I have to be careful not to spring it. It is 150 mm long without the cap and 165 long with the cap. Like all Platinum based nibs, it has a lot tooth. One reviewer described the feeling as how a pencil feels and sounds as it moves across paper. At 20 grams, the pen is surprisingly light, even when inked.

Detail of the nib.

Detail of the nib. (Yes, it says, “Nakata” not Nakaya, after the founder of the company.)

Because I bought it used, the nib still had the influence of the former owner. I took it to the Nakaya staff at a pen show and they fixed the nib (and replaced the feed) free of charge.

The only things that annoy me about the pen are that, because it has internal metal threads it can’t be used eye-dropper style and that, because it is a cartridge/converter pen, it doesn’t have a great ink capacity. This latter complaint is the deal breaker for a great many pen addicts. For the same money, I can get different pens with more ink capacity.

Also, because the version I got has no clip, it has to be placed carefully or it will roll off the table.

That said, there is something about the look and feel of a Nakaya that can’t be matched by other pens. They feel warm when you pick them up.

I understand why some people don’t like them, or more accurately, don’t prefer them. but it all works for me.

 

 

Retro 1951 Tornado EXT Custom Fountain Pen–Long Term Review

If it weren’t for the nib, I wouldn’t own this pen any more.

I’ve written before about my problems and pleasures with the Retro 51 Tornado EXT that I got from Massdrop and I have to admit, I’m surprised that I not only still own it, but that I still use it regularly. For some reason, I can’t quit it.

The Retro 1951 Tornado EXT on a Field Notes Byline. The ink is Stone Road of Gion.

The Retro 1951 Tornado EXT on a Field Notes Byline. The ink is Stone Road of Gion.

I still hate the narrow, slippery section. I’ve been disappointed that regular use hasn’t made it any less slippery. It’s not as off-putting as the scrawny neck on other pens, but it’s still annoying.

I mostly keep it because I like the nib too much to part with it. The medium Schmidt nib is terrific. It’s smooth and wet enough that it handles even relatively dry inks, such as Kyo-Iro Stone Road of Gion with little trouble. It also works well on different types of paper.

The pen itself has held up well. It hasn’t developed any creaks or loose bits, despite being dragged around in a Nock Co. case almost every day since I bought it. The herringbone finish hasn’t worn off either.

Because the nib is good, the pen gets used mostly for testing different kinds of ink. It’s also great to use as a lender pen for people who’ve never used a fountain pen before. The steel nib can handle inexperience better than a gold nib can.

A close-up of the Schmidt nib and Stone Road of Gion ink.

A close-up of the Schmidt nib, the slippery section, and Stone Road of Gion ink.

If it weren’t for the section, this pen would be in my top five writers. Because of this I’m tempted to send it to a pen maker for a section modification. Until then, I’ll keep using it and hope the slipperiness wears away.

 

The Course You Choose May Not Be Your Own

Our oldest is at the phase of her high school career where her high school is forcing her to make choices. These choices also effect She Who Must Be Obeyed and me.

At hour oldest’s school 11th graders are required to choose the course of study that will carry them to the course of study they hope to follow in their university careers. Against the better judgement of She Who Must Be Obeyed our oldest thinks she wants to follow the physics course.

Although I think this is a good idea there are a couple of issues: 1) her study habits are not the best; 2) math is not her best subject and physics requires lots of math; 3) the math will reach a level where all SWMBO and I can do to help her is clap our hands and lead cheers to inspire her; 4) She seems to think we’ll hire a tutor to help her; 5) I get the feeling she’s chosen it because one of her friends is going to choose it; and 6) I’ve got the vague sense that she’s chosen it because SWMBO is against it. In fact, this choice has prompted a couple long arguments between the two.

Either way, I encourage our oldest to choose a more difficult path, and physics is a good jumping off point for other kinds of science, but I also realize (as does SWMBO) that there’s going to be a lot of fighting over rules and study habits. This means there may be an iPhone 6 available for purchase sometime next year and that my WiFi is about to get a serious password upgrade.

 

Karas Kustoms RETRAKT Pen–Long Term Review

Discount codes can be dangerous things.

I passed on the original Kickstarter for the Karas Kustoms RETRAKT pen. I didn’t like the monotone design with the only options being solid aluminum, copper or brass (unless you bought two and mixed and matched).

Eventually, though, Karas Kustoms began offering the design with different colored barrels which piqued my interest. When a generous holiday code came available, resistance was finally futile. I quickly moved it into my work carry and for over a year now it has marked positive and negative points, and yellow cards and red cards (more on that in a future post) for my students.

I chose the grey barrel which, until the recent turquoise version, was often lauded as the version of the pen people had to get. I have to concur, though, with the complaint that the grey is not photogenic which often makes people frown at a picture and go “well, I’m sure she has a great personality”. However, in person, the grey is a terrific color that looks sharp without being too flashy.

The Karas Kustoms RETRAKT pen.

The Karas Kustoms RETRAKT pen. This is about as good a shot of the grey as I could get.

The two tone look reminds me of the Parker Jotter ballpoint pens members of my family used to use–and for all I know may still use–but the RETRAKT is fatter which makes it more comfortable for me to use long term.

I bought the version that takes Pilot G2 gel refills (along with many others). It is 5.625 inches long and weighs around one ounce. It uses the common Schmidt push button mechanism which has held up well in over a year of regular use.

The only real complaint I had was a minor one: the refill tip didn’t stick out far enough. It didn’t effect writing much, except that from my usual writing angle, I couldn’t see the tip of the refill.

This works perfectly well, but it doesn't look right and that bothers me.

How it looks out of the box. This works perfectly well, but it doesn’t look right and that bothers me.

Luckily, Karas Kustoms includes a length of thin plastic tubing owners can cut to help make refills fit properly. After some trial and error, and no small amount of swearing and cursing the names “Karas” and “Kustoms” I managed to get it looking the way it should.

This is how it's supposed to look.

This is how it’s supposed to look. Also, note the machining marks in the grey. 

The problem is, now I’m afraid to open the pen for fear I can’t get everything back together properly.

The anodizing has held up well, but since it mostly stays in a case, it hasn’t received a fully brutal treatment. Also, because I’m used to the “turns” on my Tactile Turn pens, the RETRAKT sometimes feels slippery.

That said, it’s a pen I’d recommend for non-pen people. It feels like a work pen and not like a show pen. It may be pricey compared to it’s Parker counterparts, but it’s easy to use with cold hands and with gloves.

Also, for pen people, it’s a good pen to have on hand for those inevitable moments when someone asks to borrow a pen.