I didn’t get way up stairs today, so I don’t know if there was a third pen show, but the two I visited were pretty good, mostly thanks to a surprise.
Today I visited the 8th Annual World Fountain Pen Exhibition at Maruzen Books down in Tokyo. Because it was a Friday, I wasn’t expecting much. As always, the things I most wanted to see were all huddled into a tiny space next to the exit at one end of the ground floor.
I was especially pleased to see Euro-Box on hand as it was fun to look over the large selection of vintage pens. A Nakaya staffer was there tuning and fixing pens as were staff from Ohashido and Eboya.
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Eizo Fujii from Euro-Box (left) watches over four displays full of vintage pens. The pen maker from Ohashido consults with a client at the back, near the exit.
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The pen master from Ohashido works on a client’s pen.
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The pen mistress from Nakaya (I forgot her name and she usually keeps it secret anyway by hiding her name tag) checks the smoothness of a nib at the Nakaya tables. (Note: She doesn’t like pictures, so I’m only running this because you can’t see her face clearly.)
I drooled over a couple pens but managed to walk away with my finances intact. Mostly.
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Some of the Ohasahido pens. That orange and black pen second from the left is calling me. My wallet is sending a different message. (I also like the three to the right.)
Although it wasn’t that busy, there was still a lot of energy on the ground floor. However, because there wasn’t much to see other than temptation and temporary joy followed by fits of remorse, I headed downstairs into the mausoleum where it was dark and silent.
However, as soon as I arrived in the mausoleum, I saw a large collection of store exclusive inks. I quickly bought one of each. This was a big surprise as 1) I expected any ink they had to have sold out the first day and 2) they were older versions in the old style bottles. I quickly bought one of each, gambling I’d be able to sell them.
Because of that find, I was in a much better mood in the mausoleum. I looked around at a few of the displays and talked to the LAMY rep about the cap on my LAMY 2000. (He says it’s fine; I says it’s barely fine.) I saw the anniversary edition LAMY 2000 black amber, which is neither black nor amber, but is cooler looking than I expected it be.
I also found my scribblings from last year in a sample notebook in the darkest corner of the mausoleum. Something about that struck me as funny and I left in a good mood.
I was in such a good mood that I completely forgot to check out what events were happening on the third floor.
I still think it would be cool if they squeezed a nibmeister in next to the Nakaya or Ohashido tables. It would also be nice if they allowed pictures in the mausoleum.
But I left in a good mood, so none of that bothered me much this year.