Category Archives: Pens

Namisu Nexus Minimal Titanium–Long Term Review

It squeaked, but not in a cute little kitten kind of way; rather it squeaked in a chalk-on-chalkboard kind of way.

I’ve written about my Namisu Nexus Minimal fountain pens before. When I first started using them, the aluminum barreled, steel-nib version quickly became my favorite, partly because the steel Bock nib was smooth and well tuned. It also became one of my workhorse pens whilst the titanium version became a secondary pen that often stayed at home and was filled with inks I thought might damage pens I liked better.

However, over time, that preference has begun to change.

The titanium version sitting next to its cap.

The titanium version sitting next to its cap.

Out of the box, the titanium version had two problems: the tines were crooked and the titanium nib squeaked. I had the nib tuned at Euro Box and although the tines were straightened, the nib still squeaked. The squeak was the main deal-breaker for a lot of people but I found it went away after a while, the same way the soreness caused by new shoes eventually goes away as the shoes/your feet break in.

Even without the squeak, the titanium nib still didn’t feel right. It had a lot of feedback or scratch, even on smoother Tomoe River paper. However, during last year’s NANOWRIMO, I finally used the titanium version enough on cheap copy paper that the scratch went away. As a result of that, it’s become a daily carry and use pen that is always inked with something.

Detail of the titanium Bock nib.

Detail of the titanium Bock nib and how it writes on Tomoe River paper. The bead-blasted body looks great.

I like the weight of the pen. With the cap its about 45 grams (1.58 ounces). Without the cap it’s 39 grams (1.38 ounces). That’s just enough weight that the pen does all the work, especially as the design put’s a lot of metal toward the front of the pen, but not so heavy that I feel as if I’m trying to write with a baseball bat.

The pen looks great. The bead-blasted titanium has just enough grip to keep the pen from being slippery and keeps it from getting marked up with greasy fingerprints. Some users have complained the large grooves that serve as grip and section hurt their fingers, but I’ve found them mostly comfortable. Cleaning the cap threads after refilling the ink can be a pain, but I like having the threads forward of my fingers.

I do wish the cap was larger, though, as if I’m not careful when I put the cap back on, I can feel it bump the nib. (Also, I’m not sure it was necessary to have three full twists to get such a small cap on an off but that’s a small complaint.)

Although the nib has grown on me, I’m still not fully sold on titanium nibs. They are nice over time, and have some of the features of more expensive gold nibs, but they still seem like a gimmick more than an innovation, the same way a glow-in-the-dark nib would be. I’d rather have either gold or steel. (Note: I would totally try a glow-in-the-dark nib.)

I like the titanium body, though, and am interested to see if titanium’s corrosion resistant properties will allow it to be used as an “eye-dropper” filled pen. I’ll let other people try that and write about it first, though. 

(Note for non-pen people: “eye-dropper filled” means the barrel is completely filled with ink rather than using a converter; this allows for a greater ink supply and greater opportunity for making a great mess.)

I’m not sure if I’m going to keep the pen or try to sell it. I like it, but I have others I like better (and a couple on the way). Now that it’s broken in and doesn’t squeak, it might be time to give someone else a chance to try it.

Dangerously Expensive Free Times in Tokyo

After I moved to Tokyo, the company I work for used to send me around town to teach various classes at various companies and schools. Because of the nature of the scheduling, I often found myself with a couple hours to waste before my next job.

This is a dangerous thing for a pen addict.

One of the dangerous things about giving a pen addict lots of free time in Tokyo is the store Ito-Ya. It is several stories of pen, ink, paper and paraphernalia that in its prime (before it became the Apple Store for stationery) was a great place to explore. Like a good bookstore, every time I went there I found something I couldn’t live without and had to take home. The fountain pen store (located in the alley behind the main store) is still worth a visit.

Near Ito-Ya is a large LOFT, a large MUJI and Tokyo station. Near Tokyo station are two other dangerous places: Maruzen Books (link in Japanese) and the Yaesu Book Center. I spent lots of time perusing the English sections of both of those bookstores. Yaesu is nice because it meets my standard for creepiness. The English section is on the eighth floor and you can only take the elevator halfway. Once you get there it’s kind of cramped.

For book lovers, the most dangerous place in Tokyo is the Jimbocho area. It has dozens of tiny bookstores selling a variety of used books in a variety of languages. In one store I could have bought an entire James Joyce research library with scholarly books and journals in English and Japanese. You can easily waste several hours here just looking at old Japanese books.

Last, of the most dangerous areas is Shinjuku. It’s got two Kinokuniya bookstores (one older, one relatively new), a modern, but very nice Tokyu Hands, an entire block of camera and electronics shops and Kabukicho, Tokyo’s red light district.

Kabukicho isn’t that interesting during the day, but it’s worth a quick walk through. But also hidden away in Shinjuku is Kingdom Note, a fairly posh pen shop with lots of original goods, including pens and ink, and lots of used pens.

Near all of this, on the other side of the station is the SeKaiDo main store, which has several floors of art supplies.

I’m glad I didn’t learn about it when I had all that time to kill. I might have tried to become a painter.

Inks Come With Decisions and Regrets

The ink’s only been in the pen a few hours, but I can already tell this relationship isn’t going to last.

One of the fun parts of having a fountain pen addiction is that you get to develop, on the side, an ink habit. (Which is totally not an addiction.)

Thanks to Massdrop (note: that link requires free registration; if you register and make a subsequent purchase, you help this site produce more blather) and occasional sales here and there, I’ve managed to acquire a decent supply of ink. The trouble is, with fountain pens, changing ink is a hobby by itself.

With a ballpoint pens–in their various paste, gel ink, roller ball forms–changing inks involves a little twisting, a little inserting, and a little more twisting. If you don’t like an ink, you repeat the process and get something you like with little trouble. You then throw away the refill you don’t like.

With fountain pens changing inks involves twisting, disassembling, rinsing, flushing, draining, soap and ammonia, soaking and a long period of drying. Then you get to load the ink and start using it. If you want to use a new ink tomorrow, you have to start preparing today. If you don’t like an ink, you have to dump it out (probably wasting what’s in the pen) and then you’re stuck with a bottle that would last a long time under normal use but seems to precious to just dump out and throw away.

The more inks you have, and the more you want to try them, the more you have to go through this process.

I personally haven’t gone as deeply down the ink rabbit hole as others because, luckily, I’m fairly picky about how I want my pens to work. I want the ink to go down smoothly and evenly and to dry quickly. If an ink doesn’t feel right, I might try it in another pen and then abandon it. it’s a bit like when TV shows keep the same character but change actors. Yeah, everything is still the same, but something is not quite right.

Today and yesterday, though, as part of a plan to use things or “loose” them, I cleaned several pens and filled them with inks I’ve acquired and have been meaning to try. I kept six of them the same because I either like the ink/pen combinations too much to mess with right now or they were recently changed or I don’t have a suitable replacement.

My current pen and ink load out. Some have changed, some have not.

My current pen and ink load out. Some have changed, some have not.

Most of the inks and pens work together well, but one pairing doesn’t seem to be working out. The Diamine Amber and the Nexus Aluminum don’t seem to be playing nicely together. The Amber looks great once it dries but it feels dry as I write. I have a feeling this relationship isn’t going to last and Amber will be moving on to someone else.

The trouble is, that means I have to clean two pens, so maybe I’ll see if I can keep this couple together for a while.

 

Maintenance During the Hangover Day

Today was a day for maintenance.

After yesterday’s headache and general malaise, I decided to make today more productive.

First, though, I had to play an online game with a friend for a couple hours. This was sort of productive, for my stats in the game, and I got lots of information from him about Canada and shared some information with him about Japan.

I was in the post headache-hangover. No pain, feeling a lot better, just not much energy. If you’ve ever been sick and then suddenly started feeling better but weak, that’s how I felt. This meant I couldn’t tackle too many projects involving heavy lifting, but I did get some house cleaning done.

I also decided to do maintenance on a couple pens before filling them with different inks. At first I got lazy and decided to refill a pen with the same ink. Then I realized it wasn’t the same ink–post-headache hangover in action–and gave it the thorough cleaning I’d originally intended to give it.

Unfortunately, this can be slow process and my desk now looks a bit like an unkempt mad scientist’s laboratory with pen parts and pen innards lying about here and there. I’ve even got random tubes and a specimen in a glass jar with its old blood slowly draining out.

"Mad Science" means never stopping to ask "what's the worst thing that could happen?"

Mad Science means never stopping to ask “what’s the worst thing that could happen?” Maxim 14Schlock Mercenary

The next big project is the annual purging of the file cabinet. I already did a purge of papers and projects and random stuff. Now I have to sort the stuff that was deliberately saved in a special file and not just set aside for another day.

I also have a couple more pens to clean out and a plan to take pictures of them all.

But, I also have an exam to make. And there’s still that online game.

Noodler’s Old Manhattan “Bulletproof” Black Ink–Long Term Review

There’s something about this that’s so black, it’s like how much more black could this be? And the answer is none. None more black. –Nigel Tufnel, Spinal Tap guitarist.

Although I have several kinds of ink sitting around, I’m not the kind of fountain pen user who swaps out inks constantly. Instead I like to find a perfect combination of pen and ink and then stick with it. Sometimes, though, I change pens but keep the ink.

I don’t remember how I stumbled across Noodler’s Old Manhattan. I either read about it on Fountain Pen Network, or found it on the website of the New York based Fountain Pen Hospital as the ink is exclusive to them. I seem to remember it being recommended as one of the “blacker black” inks available and for some reason that made me interested in it.

I put it in my Pilot Vanishing Point and it immediately became my favorite ink. It is about as black as it can be, more black than Aurora Black, which is also one of my favorite inks.

Old Manhattan is smooth and, at least on regular copy paper, dries reasonably quickly. Once it’s dry, it doesn’t smear and it doesn’t wash off if it gets wet. With other inks, Aurora included, if I’m working during a Tokyo summer and the Communists Heat Resistant Individuals who run the school where I work have set the air conditioner to “Mild Swelter”, my sweaty hands and forearms end up printed with what I was working on.

Note: THAT ink never seems to wash off. What evil is this?

Even when I write a heavy, wet line, it dries reasonably quickly, at least on regular copy paper.

Noodler's Old Manhattan on copy paper.

Noodler’s Old Manhattan on copy paper.

Noodler's Old Manhattan on Tomoe River. It looks great; dries eventually.

Noodler’s Old Manhattan on Tomoe River in terrible lighting. It looks great; dries eventually.

After it dries, it also holds up to spills rather well. The following pictures show the ink after I’ve wiped away the water (which sat on the ink for a couple minutes).

Noodler's Old Manhattan on copy paper after the water's been wiped away.

Noodler’s Old Manhattan on copy paper after the water’s been wiped away.

Noodler's Old Manhattan on Tomoe River paper after the water's been wiped away.

Noodler’s Old Manhattan on Tomoe River paper after the water’s been wiped away.

I’ve finished almost two bottles of the ink since I bought it and already have two replacements in storage. It is now used in my newest workhorse pen, a TWSBI 580. I like the ink capacity (note to the Pilot Pen Company: find away to increase the ink capacity in VPs and you’ll win me back). I also like that I can easily disassemble and clean the pen.

That leads to the main negative of Old Manhattan: it’s got bits floating in it.

In order to make it bulletproof, it lays down black sediment that, according to Noodler’s, resists all known tools of forgers, including bleach and UV light. That sediment, though, can build up in your pen.

After years of using it in my Vanishing Point, with what I thought were frequent thorough cleanings but were really only basic rinsings, I was shocked to see how much black sediment came out of nib when I soaked it with a proper cleaning solution. I never had any clogs, but I did notice that red ink (after it became my marking pen) always seemed bit darker than I expected when I used it in the pen.

The half empty bottle of Old Manhattan. You can see the sediment clinging to the side.

The half empty bottle of Old Manhattan. You can see the sediment clinging to the sides of the bottle.

Fountain Pen Hospital also sells a Blue Manhattan that I may have to check out some day. First, of course, I’ll have to find the perfect pen for it.

Ain’t No Lifestyle Changes On Christmas Day, Just Work

It’s probably not the wine that will get me. It will be the cake. Even then it’s probably not the cake itself that will get me, it’s the eating it at 10:30 at night that will.

Apparently my alarm went off at the usual time this morning, but I don’t remember it at all. (I went to bed after 2 a.m. Long story.) Instead, she who must be obeyed mentioned at around 6:00 a.m. that our youngest had already risen and my response was something like “why is that my problem?” and then “Oh, Merry Christmas. Love you.”

Us not having been awakened meant that our youngest was pouting at the small pile of presents, none of which resembled a game for a Nintendo 3DS. Instead she found a print of the cover to indicate it was coming and some stocking stuffers (even though there were no stockings). Those included annoyingly cute masking tape, Pentone sticky notes, and a form of gateway drug, er, a Pilot Kakuno fountain pen set. Our oldest had the similar items, although she’d already received her Christmas present (long story involving the naughty list).

The stocking stuffers. Kakuno pens, Pentone notes and annoyingly cute masking tape.

The stocking stuffers. Kakuno pen and ink sets, Pentone notes and annoyingly cute masking tape.

I showed them how to get the pens ready to use and showed them how to use them. I’m not sure how impressed they are, but I got Pilot pink ink for our youngest and purple in for your oldest. They seemed to like that.

The game arrived later in the day, and I had fun torturing our youngest by pointing out the package had my name on it, not hers. She pointed out I didn’t own a 3DS and I pointed I’d just use hers.

After that, I actually had to do some work. Well, eventually I did. I revised a couple lessons for next terms and then waited until the appropriate time to send them in.

I then had to balance my diet/lifestyle changes with “Chocolate, Mother! Chocolate!” and the knowledge there would eventually be cake.

For complicated reasons we ate late. Supper consisted of chicken, salad, lots of cheese and bread, a solid cheap Bordeaux, and a few steak fries.

After that, the girls all collaborated to decorate the cake and we finally sat down to eat it at 10:30 at night. It busted my usual low carb fare. It was also perfect so I ate more than I should have (but not as much I would have in the past).

Almost too cute to eat. Almost.

Almost too cute to eat. Almost. (Our youngest insisted on the candles.)

Now I’m waiting for the carb sleep. I’ve lost 15.5 kilograms (about 34 pounds) in the past 138 days and have reached the weight I plan to maintain. We’ll see what happens tomorrow. Especially as there’s more chocolate and a lot more cake left.

One Pen Two Pen Red Pen Purple Pen

Last week I was given a red pen by the head of the English department at the school where I work. She been given a bunch by a salesman of some sort who was promoting something or other that had obviously left her unimpressed. (It had something to do with education, which doesn’t impress me, either; if it had been a Pilot representative, though, I still would not be speaking to her.)

I decided I was going to use the new pen for marking exams. Then, today, I changed my mind.

The pen is a Pilot Patint, which I believe is called the Pilot SnapClick outside of Japan. (As you’ll soon see, that’s a much better name.) With the oversized clip (with built in lanyard hole) it looks a lot like a Zebra Sarasa but the Patint’s website claims it has a longer ink refill that gives it 45% more ink.

The tip is deployed with the nock and retracted by squeezing the clip. The nock has a satisfying click and and squeezing the clip gives a satisfying snap. It is probably the noisiest pen I’ve ever used and the six of us who comprise the native English speaker staff did our best to drive the rest of the staff out of the office as we repeatedly clicked and snapped our new pens. A rocking motion with the tip of the thumb allows you to click and snap in rapid succession without having to move your hand.

Then today I tried to write with it and realized it was just a ballpoint pen, and not even a gel refill. The contoured rubber grip is comfortable, but I was underwhelmed with the thin line and decided I would only use red ink for the junior high school second years and would switch pens when I started marking my high school exams.

I wrote a little more and decided I would only use it for my worst class.

That idea lasted right up until I actually started marking today. I put the Patint away and broke out the TWSBI Classic Mini I used last time and started marking. It was a lot more comfortable to hold and I like the better line.

Oddly, this has been my only attempt to delay marking today. I’m actually almost finished with my junior high school second years. The Patint is still on my desk, though. Every now and then I stop and make some click and snap noises as a way to relieve stress by transferring it to others.

An Outer Shell With Common Parts

A philosophical issue I have with some of the pens I own has me thinking about a car in an old TV show.

About a thousand years ago when I was in high school, I was horrified to learn that the awesome looking Coyote X sports car in Hardcastle and McCormick was mostly a shell built on a Volkswagen Beetle chassis. (Note: yes, we totally had sports cars 1,000 years ago.) Sure, it had the engine from a Porsche 914 and, yes, it was common to build fancy looking kit cars on a Beetle chassis, but it still kind of seemed like cheating to me and the Coyote X lost some of its appeal (especially after it was replace by a boxy monstrosity in season 2).

This brings me to the issue I have with some of the pens I own: they are attractive shells built on a common chassis. The fountain pens, with a few exceptions, all use nibs from the same manufacturers and take the same converters and cartridges. This doesn’t bother me as much as it should, though, because I can use different inks and the nibs all write differently. I can also get the shell designed the way I want it, so that at least some of it is not off-the-shelf.

It’s the ballpoint pens that have me thinking. The ones I use the most all have the same “chassis”, in this case the Pilot G2 refill. The G2 is a terrific gel ink pen that writes better than most ballpoint pens but when I put it in a $40 shell I’m still using a $1 pen, it’s just disguised with a fancier surface.

The Karas Kustoms Retrakt, The Pilot G2, the TactileTurn Mover, KarasKustoms Bolt.

The Karas Kustoms Retrakt (top), Pilot G2, Tactile Turn Mover, Karas Kustoms Bolt. They all use the same refill.

This has me pondering exactly what I’m getting for my money. I’ve used Pilot G2s at work and during travel and I find the rubber bit around the end starts to get sticky and to move around. It also tends to collect dust and random white bits. The plastic cracks if you’re not careful and I’ve broken off the clip on at least two by trying to attach them to books.

In the end, the main rationalizations I come up with are that  the machined pens are more durable than the plastic G2 which means I don’t have to replace them as often which makes them, after a long stretch of questionable logic I won’t go into more environmentally friendly, especially as I don’t toss them out when they are empty. (Granted, sometimes I buy a G2, take out the refill and toss the pen in a “variety” drawer, but that’s an issue for another post.)

The machined pens are thicker than the plastic G2 body, which makes them more comfortable for me to use. Also, because they use the common refill, they are easier to maintain. If I run out of ink, I get a replacement for a dollar without having to track down a specialty shop and take out a personal loan.

I’ve turned down the chance to get some new ballpoint pens from the above manufacturers and I’ll probably try to sell a few of the ones I do have. I still like them and use them, but that Volkswagen Beetle chassis is bothering me a bit.

 

 

Karas Kustoms Ink Roller Ball–Long Term Review

A year ago I bought a pen that I liked a lot but then stopped using. I’m not sure I can explain why I did that except to say that it just didn’t feel quite right. It wasn’t the pen; it was me.

The Karas Kustoms Ink Roller Ball was part of a Kickstarter set I ordered. I opted for black anodized aluminum with a copper section. It doesn’t quite look as good as the green and copper fountain pen version, but it still looks great. The parts are interchangeable so I can put the green cap on the black pen and vice versa. I can also switch the sections and reverse which is the roller ball and which is the fountain pen. (I don’t know why I haven’t done that yet except “work” and “effort”.)

The Karas Kustoms Ink Roller Ball and Fountain Pen.

The Karas Kustoms Ink Roller Ball and Fountain Pen.

The pen is about 1.7 ounces and just under five inches uncapped and comes with a Schmidt Cap-less p8126 refill that’s held up well under heavy use and a lack of any use. The section on both pens is well designed and I find I can use the pen a long time with out my hand getting sore or my fingers sliding around on the section.

During the time I used it, the anodizing didn’t show any dings or scratches, even around the sharper parts on the cap and bottom or where the cap meets the body.

My only real complaint is that the tip on the refill is a bit thin and dry for my taste. It writes well and it writes smoothly but the line it leaves doesn’t look dark enough to me and it doesn’t feel right when I use it.

Despite that being the only complaint, and perhaps because I liked the fountain pen version so much, the Ink RB slowly got relegated to my pen case rather than my pocket and eventually I moved it to long term storage. I broke it out to use today before I did this review and I still like it, just not enough to keep carrying it. I’m tempted to buy a fountain pen section for it (if they are still available for this pen) as a way to get it back into my rotation.

If I don’t, as much as I like it, it will most likely be up for sale soon.

The Karas Kustoms Ink Roller Ball still has some original copper color.

The Karas Kustoms Ink Roller Ball still has some original copper color.

The Family of NaNoWriMo Pens–Follow-up

I’ve mentioned before how, in a fit of madness, I decided to hand write my National Novel Writing Month novel this year. (I’ve also mentioned how I fell short.) I did this partly as a way to use up homemade notepads and to put three of my fountain pens to everyday, intense use. To wax fake Shakespearean about not “winning”, the fault, dear reader, is not in my pens, it is in myself.

Well, some of it was the pens’ fault.

Out with the old, in with the next.

For the most part, I cannot blame these pens.

It was fun to be writing by hand again. As tedious as it can be, there are a lot fewer distractions in a paper tablet than a piece of electronics attached to the internet. The main hassle, as I’ve mentioned before, is that writing two pages takes long enough that you begin to feel as if the scene is dragging on endlessly when, in fact, it’s only a page of printed text. I find that I underwrite when I write by hand as I always feel compelled to change scenes and get things moving. The result is more of an outline and random scenes than a coherent work.

There’s also the problem of random ideas coming in and demanding to be recorded. This can lead to lots of confusing shifts and asides that cause me to go “what the hell was I thinking” and “is my handwriting really that illegible” on a read through.

To help provide a meager sense of order to the proceedings, I used different color inks to show when I changed scenes or when I switched to character background and other forms of world building. I also developed a system of marginal marks that let me know when I was changing direction. This will make assembling the “assembled draft” a lot easier. (Note: I reread and cut up the manuscript and past it together in a better order before I start typing.)

The TWSBI 580 did most of the writing at first. I like the larger ink capacity of its piston filling mechanism and that its nib is broken and write’s well. Towards the end I started using the Levenger Sunset and the Namisu Nexus more.

The Levenger Sunset was, at best, okay. The nib is scratchy and in need of some tuning and it didn’t seem to get better the more I used it. I’m trying it now with a different ink, but unless it gets worked on (or I learn to work on it myself) it may be destined for a return to long term storage.

The real surprise was the Namisu Nexus with a titanium nib. Out of the box the titanium nib was squeaky but I wrote with it until the squeak went away and was replaced with a dull scratch. Towards the end of the month, I found myself reaching for the Nexus more often than before and I could feel the difference as the nib broke in. It doesn’t quite have the ink capacity to by my number one workhorse, but it may have just earned its way off the sales block.

I’ll keep working on the novel, by hand of course, but at this point it’s more of a long outline and random notes than a novel.

A family portrait, with a celebratory whisky.

A family portrait, the pens and the notepads, with a celebratory whisky and one of the marginal marks.