Category Archives: Random

Skates and Sports and Tippy Toes with Bad Ankles

I once had a very strange and informative discussion with a Canadian that revealed a lot about cultural differences and religion (or maybe it was sports; it’s hard to tell the difference sometimes).

For reasons I don’t remember, we were discussing the fact that I had once owned a pair of ice skates. He thought it funny that I’d owned what I guess are called “Tippy Toe” skates when I should have had hockey skates. (I don’t know if this is true or not and, quite frankly, don’t care. It’s just hockey and figure skating, after all.) I kept trying to point out that wearing hockey skates, at least where I grew up, would be the equivalent of wearing football cleats to run a marathon but he kept accusing me of being Johnny Weir.

I put it all down to cultural differences. Where I grew up we were into skiing not skating; where he grew up hockey is religion and so important that a loss in the Olympics will send an entire nation into mourning for a week, especially if that loss is to Finland and keeps them from even getting a bronze medal. (I saw this happen in 1998; my Canadian friends still cannot talk about it without choking up a bit.)

The most curious thing about all this is I don’t remember why I owned ice skates in the first place. Either I had requested them, with visions of me being more athletic than I was, or someone had thought it a good idea that I own a pair. (Every boy should own a pocket knife, a baseball glove and a pair of figure skates?) Something like that.

However I ended up with them, I joined a group of people at a small frozen pond in a gully near my house in Hayden, Colorado. I got on the ice, and well, things didn’t go so well. Weak ankles run in my family and I found it hard to keep the skates vertical. Most of the time I was walking on the sides of the skates and trying to actually, well, skate.

I tried skating a couple more times after that and it went badly again.  I did the manly thing and gave up and put the skates away forever.

For all I know, they’re still tucked away in a box somewhere.

The Kickstarter’s Dilemma

Any careful consideration of the topic will convince you that Kickstarter is a very dangerous place to visit, especially if you own a credit card.

And it’s not the only place that’s dangerous.

Part of the danger stems from an odd idea I got a couple years ago that an interesting way to tithe, especially as I am dubious of churches as institutions (long story), would be to contribute a small percentage of my income to supporting small manufacturers, especially those just starting out. I also had a preference for manufacturers in the USA, although that was a guideline not a rule. I started with knife makers (in the USA and New Zealand) and, thanks to the enablers at the Pen Addict podcast, slowly moved into pens and other things being sold on Kickstarter.

This has been a mixed blessing. Thus far I’ve backed eight projects and had little or no problem with four of them. My first project was a batch of pen cases from Nock Co (owned by Brad Dowdy of the Pen Addict) and although there was some delay caused by the company’s ambition (hint: too many ideas, too many colors, not enough time, no sewing machine), I got the pen cases with no problem and now carry two regularly. I also passed a couple to the girls and use a couple more as storage for pen parts. Granted, there are a couple unused cases I stare at and think “what ever will I do with you” and they whisper back buy more pens and I whisper back “okay”. (No, really, the pen cases whisper to me. I think.)

I also had no problem with Eighty Pages, Karas Kustoms or the Decadent Minimalist One wallet.

Two projects, however, have proceeded slowly. One at least keeps backers updated; the other doesn’t seem to understand why the backers are upset that deadlines keep being missed. Two haven’t yet had a chance to disappoint.

I’ve declined to back more projects than I’ve supported, including pens from Tactile Turn, although I then ended up winning one in a contest. I can’t explain my criteria. Some things don’t interest me enough to bother and somethings don’t ship to Japan. Somethings are absurdly priced.

I’m also always aware that I’m walking a thin line between “tithing” and “just buying stuff”.

Then there’s Massdrop. That’s another danger zone. (Although it has some nice stuff.)

 

Racks of Temptation But Little Fun

I only reached for my credit card twice but I ended up not buying anything.

Well, maybe it was three times.

Today was the 6th World Fountain Pen Fair at Maruzen Books in downtown Tokyo. After work, I rushed down to Tokyo, cameras in hand, hoping to get some useful material for this site. When I arrived at Maruzen, I was surprised to see the fair was taking place in the basement.

When I got to the basement, the first thing I did was look for the Nakaya table. (Note, For those who don’t love fountain pens and therefore have no soul: Nakaya pens are one of the Holy Grails of fountain pens.) (Second Note: in this case “Holy Grail” is Japanese for “Really F@#king Expensive Pen”). They are sought after because they are handmade by experienced artisans and manage to be both simple and beautiful.

Unfortunately, Nakaya didn’t seem to be anywhere in the basement. Instead I looked around at famous production pens like Pelikan and, oddly, Platinum, which is the company Nakaya split from. The entire fair could have been mistaken for simply another department in the store as there was nothing special about it. While I was there, I tried out a Pelikan Souveran 800 and started reaching for my credit card. I do not claim this was a sane act but I did it. Luckily, I remembered I was looking for Nakaya pens so put my credit card back.

I then went to the 3rd floor to check out a rare and antique books section and found a new must-have item for work: a fake dictionary that houses a bottle of whiskey and a shot glass.

On the way back downstairs, I suddenly stumbled across the Nakaya table, which was set up practically in the foyer next to umbrellas. It was a terrible location where casual shoppers met pen addicts in a small traffic jam.

Today was especially interesting for Nakaya fans because Mr. Shinichi Yoshida, the nibmeister for Nakaya, was at the table adjusting nibs for newly purchased pens. The cheapest pen I saw that I liked was just over 59,000 yen or 491 US dollars. Oddly, this is a decent price for a Nakaya with a nib modified by Mr. Yoshida so I started to reach for my credit card. I then realized that I was like the 10th person in line hoping to even get in line so I put my credit card back.

Mr. Yoshida works on the youngest man at the show's new purchase.

The Nakaya table. Mr. Yoshida (right) works on the youngest man at the show’s new purchase.

Right next to the Nakaya table was the Ohashi-do table. Ohashi-do is a Sendai based fountain pen maker who also makes everything by hand. Or, maybe, by foot.

I neglected to write down the name of the artisan, but he was busy working a foot-powered lathe to make a pen and I didn’t want to interrupt him. The line for the table was short and I started to reach for my credit card, but I was more interested in watching the man with no name work.

The man with no name works using his feet.

The man with no name works using his feet. He has really cool socks.

The man with no name adjusts the lathe with a small mallet.

The man with no name adjusts the lathe with a small mallet. You can see how long the orange acrylic rod is.

All in all, I find that Japanese pen shows are lacking in energy. The Nakaya and Ohashi-do tables were fun, but the rest was boring clerks in suits. I’ll go to the 16th Mitsukoshi Fountain Pen Festival next week. I hope it’s more fun.

I probably better leave my credit cards at home before I go. I don’t know if I can survive temptation twice.

Eighty Pages but Nary a Pen That Works

I like the idea of the Eighty Pages notebooks, but as soon as I got my hands on one I knew there would be issues.

Sometime in December or early January, I was roaming through my various pen addiction enabling websites and a number of them mentioned a Kickstarter project by Eighty Pages, a “small batch” notebook company based in New York City.

I liked the look of the notebooks and because the price was right I joined the Kickstarter and just a few days ago got my notebooks and being an addict, the first thing I did was take pictures of them and the Eighty Pages swag that accompanied them:

Well-made and gorgeous.

Well-made and gorgeous.

On the surface they look great. They are 3.5″ by 5.5″ or about the size of a Field Notes notebook, but I like that they come with more pages. They have thick card stock covers that are hand-stitched to the paper and are embossed with “made by” information on the back cover. Each comes with a serial number. The first number tells you the volume; the second tells you where in the production yours was made. It looks great, but I really don’t care about that information. The stickers are a nice touch but the golf pencil is already at the state where I used to throw out my old pencils back when I still used wood pencils.

I slipped the seal off the red one to fondle the paper because, well, yeah, that’s what you do.

I was immediately worried. The paper is thick, which is nice, but it’s rough. In fact, it reminded me of watercolor paper or the paper that comes in sketch books. It’s designed for pencils, not pens.

I confirmed that by breaking out my fountain pens and doing a little test. Every pen, including those with the widest nibs, scratched and skipped across the paper. The best thing I can say about that experience is there was no show-through or bleed-through at all. A Pilot G2 ballpoint with a .5 mm tip also had trouble. Yeah, that’s right, even a ballpoint pen was scratchy on the paper.

Only the Tacticle Turn Shaker I won in a drawing last year wrote smoothly, mostly because it has a wide Schmidt refill.

Today, I broke out an old drawing pencil I still have from decades ago–see kids, this is why you should never throw things out–and did a quick sketch of something apocalyptic on a back page. The sketch was crap but it confirmed that this is paper for pencils not fountain pens.

This was just a couple passes with 6B. It looks great, for a sketch book.

This was just a couple passes with a 6B pencil. You can see how rough the paper is.

In the end, I like the idea behind Eighty Pages more than I like the notebooks. I’m glad I bought them, although they may get passed to the girls. If you’re looking for a small sketchbook, they might be worth trying out. If you like pens, though, they aren’t worth it.

I hope, in the future, the makers experiment with different types of paper that are more pen friendly. If they do, I’ll probably be first in line to try them.

 

Step By Step with Frozen Brass and Ice Cold Hands

For reasons I still don’t understand, my band director when I was in high school in Kansas decided we needed to march. Not in straight lines during parades, mind you, but in patterns on the field during games. My response was “how about if I just shoot myself in the knee instead?”

Although I liked playing trumpet, I never liked putting on bulky leather vests–complete with dangly bits on the shoulders–and funny hats–complete with fuzzy things sticking off the top–and marching around trying to hold the trumpet out, stay in step, stay in tune, stay on the downbeat whilst trying to avoid collisions with random objects and/or people.

It was bad enough in parades but in Kansas the torture of “pattern” was added to it. Go here, turn there, pause, swing your horn (which is totally not dirty) and end in a neat little geometric pattern whilst playing your heart out. Mind you, we were no Sonic Boom of the South, but then they have talent and dedication and actually volunteered for the job.

With us, we were dragged to school early and forced to march around the parking lot in the cold. This wasn’t that hard except that, in the case of the trumpet players, we were holding large twisted bits of frozen brass and couldn’t wear gloves. (Well, we could, but then we couldn’t actually operate the large twisted bit of frozen brass.)

To make matters worse, as trumpet players we had to buzz our lips against another frozen bit of metal and try to make everything stay in tune. Basically, we ended up with numb hands and lips.

Now, as if that wasn’t bad enough, it was decreed that on the night of Homecoming, all the seniors performing in their last Homecoming would be given the “honor” of solo performances section by section. I was like, “Aww, shucks, you don’t have to do anything like that. No, really, you don’t”, but the person who made the decree was like “get out there and practice. You will be honored whether you like it or not.” (Something like that.)

This meant my friend Randy and I had to march out to the middle of the pack and perform a duet. If we had done this at the beginning, I would have been fine, but by the end of the performance I could barely feel my fingers and could barely play more than a sharp honk. Luckily, Randy was a better trumpet player and carried the performance.

I was honored when it was all over. Or maybe I mean relieved.

Time and Time and Waste Time and Rejected Again

Yes, I am a sick man and, yes, I probably have a problem.

I’m in the process of making my calendar for next year. I make my own because 1) I’m picky and 2) it’s more fun than doing real work but leaves me with the impression I’ve actually been working.

During university I had a bad habit of forgetting assignments and meetings and accidentally double booking events. To try to cure myself of this, for many years I tried to use calendars of various sorts. I remember Kansas State University used to publish a school year calendar that may (or may not) have been nicknamed “the Annual” which, I’ll grant you, is a bit like naming it the “school year calendar thingee”. It was a spiral-bound book with one week on two pages. Every year I tried using it but after a month or so abandoned it.

The “school year calendar thingee” had two fatal flaws: 1) spiral-bound and 2) the school itself hogged the days. Basically, the school pre-filled important events, including sports, and it was common for at least one day a week to be completely full before I’d had a chance to enter my information.

I then went through a series of calendars of various sizes but all of them had at least one fatal flaw and I never found them particularly useful.

Then, after I came to Japan, the JET Programmed gave us some small planners that had a full week on each page and included lots of useful information such as medical terms and basic legal advice–which could be summed up as “don’t be stupid” and “Even if you are stupid don’t do stupid stuff”.

I used that planner a lot and, to this day, still kind of miss it.

Eventually I realized I needed a monthly overview and a weekly schedule. This led to me making my own monthly calendars and, eventually, my own bible-sized inserts for a Filofax. (Yes, I actually made them from scratch. I wasted time to make time. Something like that.)

No birthdays here, just a couple holidays.

No birthdays here, just a couple holidays.

Making my own let me add birthdays and pictures of the family.

All my girls in one place.

All my girls in one place several years ago.

My unoriginal cover decoration as to put various versions of “Front” and “Back” on them.

This is the character I used to represent "front".

This is the character I used to represent “front”.

Eventually I even abandoned those. My new planner is a system that involves an electronic calendar on my computer (and which I hopefully will be able to sync to my phone) and a 12 days per page paper calendar that covers the entire year. The 12 days format lets me see what’s coming, but still leaves me room to write.

I’ll probably abandon that in a couple years, too. It’s already in its second incarnation.

 

The KISS and the Clover Zed

It’s hard to believe, but after all these years, Japan might have finally jumped the shark on crazy.

Or someone in Japan is a genius. Or a crazy genius.

Whatever they are, someone decided it was a great idea to take one of the most popular girl groups in Japan, Momoiro Clover Z–For the record: The Z is pronounced “Zed” thus Momoiro Clover Zed but everyone just calls them “Momoclo”–and pair them up with aging 70s superstar rockers old enough to be their grandparents. The genius/madman then decided to all it “Momoiro Clover Z vs KISS.

That’s right, the dark princes of glam rock are pairing up with pop princess lolitas to, well, rock and roll all night? The images of them together are rather disturbing. Keep in mind Gene Simmons is about as tall as I am. It could be creepier though, but every Momoclo is at least age 18 so that makes it, well, no, it’s still creepy.

They’ve already produced a single and a promotion video which can be enjoyed here. (Note: the “live” action starts at about 1:40.) Momoclo will also perform at the final concert in KISS 40th anniversary tour.

I’m not sure why someone thought this was a good idea. Back in 1977 KISS sold out the Nippon Budokan five times (which beat the Beatles record of four) but no one younger than I am had ever heard of them until last year.

As the members of KISS promote the concert and the single, you can see the young TV announcers staring at them like “Who sprayed graffiti on grandpa?”

That said, Gene Simmons is a marketing genius and I can’t imagine anyone younger than I am would attend one of their concerts unless there was a gimmick like this attached to it. This gives them a chance, albeit a weak one, to grow their audience among young Japanese.

I still think it would have been more logical if KISS had performed with Babymetal, but I guess they needed someone who couldn’t out rock them.

Nice Guys Get Asked A Lot

Our oldest is in Kyoto which means she’s going to be harassing foreigners soon.

One of the few universal school traditions all Japanese experience is a trip to Kyoto during their second year of junior high school. The preparation for this trip involves dad repeatedly saying “pack your crap or you won’t have any crap with you on the trip” and She Who Must Be Obeyed secretly helping our oldest pack her crap.

Once there, the students do some traditional activities (fan making, tea ceremony) and they visit lots of famous places like Kinkaku-ji (which is overrated) and Kyomizu-dera (which is not).

One of the requirements, though, is that sometime during the trip, whilst they are at one of the famous sites, they approach foreigners and interview them in English. The questions are pretty basic “What is your name?” “Where are you from?” “What is your hobby?” “Your money or your life?” etc. In fact, almost every foreign person I know who’s ever visited Kyoto has, at some point, been accosted by a teenager carrying a notebook.

The problem is that most of the kids are shy and most of the rest are lazy. Once someone gets the courage to interview a foreigner, a couple things happen. First, if the foreigner is friendly, he or she will be surrounded by droves of junior high kids, including the shy ones, faster than you can say “blood in the water”. Basically, if you’re a foreigner, if you’re willing to speak to one kid, you’d better be ready to speak to them all. (Been there, done that, by the way.)

After the feeding frenzy dies down, the brave kids and the shy kids go back and let the lazy kids copy their answers.

That’s actually okay, because the lazy ones are probably not the ones worth talking to anyway.

Red Shirts and Other Lessers

I’ve been watching Gotham and doing my best to like it. The problem I have with TV shows like Gotham is I know how they’re going to end and that makes them pretty boring.

I know that, no matter how dangerous the situation is, the Penguin is going to survive. I know that no matter how many bullets are fired at young Bruce Wayne, he’s going to survive to become Batman. (Spoiler warning.) I know that Detective James Gordon has to survive so that he can become Commissioner Gordon.

Gotham‘s gimmick is to essentially focus on the doomed to die red shirt characters and the characters in the background who don’t even get a uniform. This makes the show character and actor dependent. Future major characters make appearances, but some of them are only 12 years old. Some of them haven’t even been born yet, but their parents finally get together.

Gotham’s strength is Robin Lord Taylor as a young, jittery and ruthless Penquin. He’s one of the few actors who recognize that a little camp can carry him a long way. He’s got a talent for being jittery and afraid and then turning psychotic and ruthless. (He’d make a great teacher.)

Unfortunately, he’s pretty much carrying the show. Ben McKenzie, who plays the center of the show James Gordon, suffers from what I call “Colin Farrell Syndrome”. This means 1) he’s handsome; but 2) surprisingly uncharismatic on screen; and 3) not a particularly good actor. Donal Logue, who plays his partner Harvey Bullock is much better.

Because of its premise–instead of jumping to the future after the death of the Wayne’s it stays in the past and follows the investigation–the show also suffers from “Anakin Skywalker Syndrome” which means it’s populated by annoying kids who can’t act. The actor who plays young Bruce Wayne (David Mazouz) is terrible. If I were king of the show, Bruce Wayne wouldn’t even appear in the show more than once or twice. He’s not actually important to the story, especially when his version of intense anger sounds a lot like whining. (It’s like, Alfred, why am I like always angry and like so full of anger? It makes me angry!)

Camren Bicondova, who plays 15 year old Selina “Catwoman” Kyle suffers from being annoyingly cute and clean for a girl who supposedly lives on the streets. Her hair is always perfect, even in the rain, as is her make up. The leather jacket and hoodie she always wears must be pretty ripe by now. By contrast, Clare Foley, who plays Ivy Pepper (the ridiculous name given to Pamela Lillian Isley who will eventually become Poison Ivy) looks dirty and her clothes keep getting more and more tattered. She also plays creepy well by not saying much.

The show’s other problem is a lack of control over tone. Robin Lord Taylor, Cory Michael Smith (who plays Edward “Riddler” Nygma) and Jada Pinkett Smith (who plays the non-canonical and badly named Fish Mooney) are in a different TV show than all the other actors. Their attitude is “Scenery motherf@#ker! Do you chew it?” Jada Pinkett Smith’s problem is she doesn’t realize she’s imitating Catwoman.

The only character I feel sorry for is the young actor playing the character who will eventually become the Joker. He gets the duty of being the first post-Heath Ledger Joker. I do not envy him that task, especially as he’s not very good. A leer and a cackle do not a good Joker make.

I’ll probably finish out the season, but I’m not expecting much. I just hope they remember the Joker has green hair and not red.

Moving Beyond Butterscotch

Today I tried to get a man to tell me which of his fellow craftsmen he hated the most.

Today was the Tokyo Folding Knife Show which meant I met up with my Canadian friend and we perused the suddenly expensive fare.

Last year’s show suffered from blandness. Every knife was either a lockback or a slipjoint with the occasional odd locking mechanism from knife maker “Captain” Koyama who makes beautiful and expensive knives with locks named “the pitch lock” and the “Lock-and-Roll”. It reminded me of what Anthony Sculimbrene of Everyday Commentary calls “The Butterscotch Club” based on the habit of some older knife makers to set out bowls of candy at their tables. (Which also happens in Japan.)

This year, though, there was a bigger variety of knives, including flippers and button locks and side locks. The problem was 1) although they are fun to play with, I’m not a huge fan of flippers as they tend to scare the hell out of non-knife people; and 2) most of the flippers were disturbingly expensive. The cheapest of the cool knives was a flipper from Kazuyuki Sakurai that was only 65,000 yen (US $546).

Kazuyuki Sakurai's flipper. A steal at only 65,000 yen.

Kazuyuki Sakurai’s flipper. A steal at only 65,000 yen.

I was also a big fan of a Koji Hara/Marfione collaboration (that I got video of but neglected to take a picture of). It was only $2,350.

The most expensive knife, though, and I’m shocked the man let me touch it was the Raptor, a two blade slip joint from Toshiyuki Miyame. It had ATS-34 steel blades, carbon fiber scales. anodized titanium bolsters, silver pins and stainless steel liners. All for only 1,400,000 yen ($11,765).

Only $11,765. I tried to order two, but he said it's one of a kind.

Only $11,765. I tried to order two, but he said it’s one of a kind.

Part of what made it so expensive was the incredible file work he’d done on the back spacer:

Beautiful, but is it really worth $11,765?

Beautiful, but is it really worth $11,765?

We also chatted a bit with To-un Ihara, who’s pretty much become our friend.

To-un Ihara's lockback knives.

To-un Ihara’s lockback knives.

Although I had a good time, I didn’t buy anything. We didn’t even stay for the free drawing, partly because that would involve spending a couple hours hanging out near all those knives and, slowly but surely, justifying the prices whilst reaching for our wallets.

I would have even been tempted to buy an ivory handled slipjoint just to hear the sounds of heads exploding when I mentioned to some of my friends that I had one.

An ivory handled knife for only $420 and a short trip to hell.

An ivory handled knife from Miyamae for only $420 and a short trip to hell.

As always, everyone was friendly. In fact my friend Wes pointed out that all the knife makers seemed to be friends, even when, as in the case of Captain Koyama and Kazuyuki Sakurai, they were making knives in similar styles.

We pointed that out to Kazuyuki Sakurai and he agreed. That’s when I asked him which of his fellow knife makers he hated the most. As he is a gentleman (something I’m still working on) he wouldn’t tell me. He also didn’t betray anything with his eyes by quickly glancing in a knowing direction.

Oh well, maybe next time.