Category Archives: Pens

Nakaya Cigar Portable Kuro-Tamenuri–Longish Term Review

In honor of Fountain Pen Day, a fountain pen review I’ve been putting off for a while.

I had intended to buy my grail pen later, but then one came available online for a surprisingly good price. After careful consideration of five minutes or so I decided that if the pen was available when I visited a couple days later, I might buy it.

I’m still not sure if I wanted it to be there when I got there or not. But it was there and I liked it enough to buy it. Then I had it fixed.

Nakaya pens are grail pens for a large number of pen addicts. They are handmade from ebonite (hard rubber) and hand coated with Japanese wakashi urushi lacquer. This gives them a rich look that other pen makers have a hard time duplicating. (More on that later.)

Mine is a Cigar Portable Kuro-Tamenuri (Black “pool” lacquering process, which doesn’t sound that sexy). Despite the name, it looks mostly black, except for areas where the months of coating and polishing revealed the red urushi layers.

The capped pen. You can see the red layers where the cap meets the barrel.

The capped pen. You can see the red layers where the cap meets the barrel.

Another view, with more red layers exposed.

Another view, with more red layers exposed.

It wasn’t my first color choice for my grail pen, but I’ve learned to  like the predominantly black look because it’s a pen that can be used in business or or in public with out attracting much attention, except from fellow pen addicts.

It has a 14K gold broad nib that has a nice bit of flex to it, although I have to be careful not to spring it. It is 150 mm long without the cap and 165 long with the cap. Like all Platinum based nibs, it has a lot tooth. One reviewer described the feeling as how a pencil feels and sounds as it moves across paper. At 20 grams, the pen is surprisingly light, even when inked.

Detail of the nib.

Detail of the nib. (Yes, it says, “Nakata” not Nakaya, after the founder of the company.)

Because I bought it used, the nib still had the influence of the former owner. I took it to the Nakaya staff at a pen show and they fixed the nib (and replaced the feed) free of charge.

The only things that annoy me about the pen are that, because it has internal metal threads it can’t be used eye-dropper style and that, because it is a cartridge/converter pen, it doesn’t have a great ink capacity. This latter complaint is the deal breaker for a great many pen addicts. For the same money, I can get different pens with more ink capacity.

Also, because the version I got has no clip, it has to be placed carefully or it will roll off the table.

That said, there is something about the look and feel of a Nakaya that can’t be matched by other pens. They feel warm when you pick them up.

I understand why some people don’t like them, or more accurately, don’t prefer them. but it all works for me.

 

 

Retro 1951 Tornado EXT Custom Fountain Pen–Long Term Review

If it weren’t for the nib, I wouldn’t own this pen any more.

I’ve written before about my problems and pleasures with the Retro 51 Tornado EXT that I got from Massdrop and I have to admit, I’m surprised that I not only still own it, but that I still use it regularly. For some reason, I can’t quit it.

The Retro 1951 Tornado EXT on a Field Notes Byline. The ink is Stone Road of Gion.

The Retro 1951 Tornado EXT on a Field Notes Byline. The ink is Stone Road of Gion.

I still hate the narrow, slippery section. I’ve been disappointed that regular use hasn’t made it any less slippery. It’s not as off-putting as the scrawny neck on other pens, but it’s still annoying.

I mostly keep it because I like the nib too much to part with it. The medium Schmidt nib is terrific. It’s smooth and wet enough that it handles even relatively dry inks, such as Kyo-Iro Stone Road of Gion with little trouble. It also works well on different types of paper.

The pen itself has held up well. It hasn’t developed any creaks or loose bits, despite being dragged around in a Nock Co. case almost every day since I bought it. The herringbone finish hasn’t worn off either.

Because the nib is good, the pen gets used mostly for testing different kinds of ink. It’s also great to use as a lender pen for people who’ve never used a fountain pen before. The steel nib can handle inexperience better than a gold nib can.

A close-up of the Schmidt nib and Stone Road of Gion ink.

A close-up of the Schmidt nib, the slippery section, and Stone Road of Gion ink.

If it weren’t for the section, this pen would be in my top five writers. Because of this I’m tempted to send it to a pen maker for a section modification. Until then, I’ll keep using it and hope the slipperiness wears away.

 

Karas Kustoms RETRAKT Pen–Long Term Review

Discount codes can be dangerous things.

I passed on the original Kickstarter for the Karas Kustoms RETRAKT pen. I didn’t like the monotone design with the only options being solid aluminum, copper or brass (unless you bought two and mixed and matched).

Eventually, though, Karas Kustoms began offering the design with different colored barrels which piqued my interest. When a generous holiday code came available, resistance was finally futile. I quickly moved it into my work carry and for over a year now it has marked positive and negative points, and yellow cards and red cards (more on that in a future post) for my students.

I chose the grey barrel which, until the recent turquoise version, was often lauded as the version of the pen people had to get. I have to concur, though, with the complaint that the grey is not photogenic which often makes people frown at a picture and go “well, I’m sure she has a great personality”. However, in person, the grey is a terrific color that looks sharp without being too flashy.

The Karas Kustoms RETRAKT pen.

The Karas Kustoms RETRAKT pen. This is about as good a shot of the grey as I could get.

The two tone look reminds me of the Parker Jotter ballpoint pens members of my family used to use–and for all I know may still use–but the RETRAKT is fatter which makes it more comfortable for me to use long term.

I bought the version that takes Pilot G2 gel refills (along with many others). It is 5.625 inches long and weighs around one ounce. It uses the common Schmidt push button mechanism which has held up well in over a year of regular use.

The only real complaint I had was a minor one: the refill tip didn’t stick out far enough. It didn’t effect writing much, except that from my usual writing angle, I couldn’t see the tip of the refill.

This works perfectly well, but it doesn't look right and that bothers me.

How it looks out of the box. This works perfectly well, but it doesn’t look right and that bothers me.

Luckily, Karas Kustoms includes a length of thin plastic tubing owners can cut to help make refills fit properly. After some trial and error, and no small amount of swearing and cursing the names “Karas” and “Kustoms” I managed to get it looking the way it should.

This is how it's supposed to look.

This is how it’s supposed to look. Also, note the machining marks in the grey. 

The problem is, now I’m afraid to open the pen for fear I can’t get everything back together properly.

The anodizing has held up well, but since it mostly stays in a case, it hasn’t received a fully brutal treatment. Also, because I’m used to the “turns” on my Tactile Turn pens, the RETRAKT sometimes feels slippery.

That said, it’s a pen I’d recommend for non-pen people. It feels like a work pen and not like a show pen. It may be pricey compared to it’s Parker counterparts, but it’s easy to use with cold hands and with gloves.

Also, for pen people, it’s a good pen to have on hand for those inevitable moments when someone asks to borrow a pen.

 

 

A Phone and a Pen Addict

I taught three classes today and phoned them all in. I was present but not active, which suited my students just fine.

After a shortish morning, I met a fellow pen addict and her husband on the occasion of their second visit to Japan. (Note: they are in transit to other places and have given themselves a long layover in Tokyo.) I bought ink on behalf of someone else and she bought ink and a pen on behalf of herself.

After that I ate too much and marked too little. By the time I got to my evening class I was already ready to be done. I managed to pull something together–mostly a final exam of sorts–and then managed to trick the students into marking it.

It was not my greatest moment, but they all were happy with their scores. Now I have to do final marks.

But first, it’s way past my bed time.

Tactile Turn Mover and Shaker Pens–Long Term Review

As with most things in life, you can blame a lawyer for what happened.

Anthony Sculimbrene, of the terrific, and refreshingly honest gear review site EverydayCommentary, hosts a giveaway every May and November. By donating to a cause of his choice, you earn a chance to win bundles of goods assembled from the many items he’s been given for review.

Note: At the time I donated, he was asking people to donate to Wounded Warriors; however, after recent controversy with the group, he’s asked that donations be made to a different organization.

I ended up winning a titanium Tactile Turn Shaker ballpoint pen. I liked the pen enough that  when some others came available on Massdrop around Christmas of 2014, I bought an aluminum version of the slightly longer Mover. (More on that in a minute.)

The pens are machine made in Texas and feature the signature “turn”, a thin machined groove that acts both as decoration and as a tactile grip.

Close up of the "tactile turn" on both pens. (Shaker, top; Mover, bottom.)

Close up of the “tactile turn” on both pens. (Shaker, top; Mover, bottom.)

They are thicker than standard ballpoint pens which, as a fountain pen user, I like a lot, and they also take a significant number of refills which lets them serve as more than one type of pen. The Shaker comes with the Schmidt Easy Flow 9000 refill and the Mover comes the the .38 version of the Pilot G2 refill. I swapped the latter out for .5 refill.

The Shaker is 5.06 inches long and weighs 1.375 ounces (39 grams). The Mover is 5.55 inches long and, being made of black anodized aluminum, weighs only 1.128 ounces (32 grams).

The Mover (top) and the Shaker (bottom).

The Mover (top) and the Shaker (bottom).

Although I don’t pocket carry them, they have served as part of my everyday work kit almost every day since I got them. The black anodizing has held up well and the only scratches on the titanium of the Shaker were a result of my own stupidity. (For the record, I don’t blame a lawyer for that.)

The only trouble I had was with the Mover. The Schmidt push button mechanism had a distinct grinding noise when it was pushed and once every dozen uses it would lock up and have to be pushed again to free it. Will Hodges, the owner of Tactile Turn, sent me a replacement, but I’ve always felt those were the weakest link in the design.

Also, I have some trouble with the naming convention. Although they are variations of the same pen, they have different names.  Trying to remember which pen is the Mover and which pen is the Shaker frequently sends me back to the internet or to my notes. I often wish they’d been named something like the Shaker and the Shaker L. (Yeah, yeah, I know: Small = S = Shaker and Massive = M = Mover but so what?)

They will stay in my pen case for a long time, but, unfortunately, supplies are limited if you’re interested in getting one. Because of the problems with the Schmidt mechanism, Hodges has decided to discontinue the pens and instead produce a new pen design with an in-house designed and built mechanism.

The new pens look great and I’ve already ordered one via Kickstarter. I blame a lawyer for that.

 

Ink Hunt on New Floors

Went on an ink hunt today and emerged with a few new flavors. Also got kind of confused by changes.

After work I head to Nihonbashi to track down ink at Maruzen. Luckily there were a few flavors available, which kept the trip from being a complete waste.

That luck was followed by a long walk to Ginza to go to K.Itoya. That’s when things got confusing. Itoya is divided into two buildings. K.Itoya is the back alley shop where fountain pens are sold. It even has a fountain pen sign on the outside. G.Itoya is an Apple store for stationery.

However, today, I went into K and found planners and calendars and, after a trip to the third floor, finally found a temporary map that led me over to G.

It seems that in the scant couple weeks since I was last there, everything has been moved, giving the fountain pen section the entire third floor.

It was a nice surprise, but the limited edition ink I went there to find was long gone, making half the trip wasted.

Still, not a bad trip. I’ve gone there and come up empty before, and I don’t must mean my wallet.

Dressco StitchNote Avocado: End of Book Review

The Dressco StitchNote Avocado is an odd notebook and it’s not going to appeal to all stationery addicts. It all depends on their tolerance for bleedthrough and show-through.

The notebook is 85mm x145mm x 5mm (3.34″ x 5.7″ x .2″ )which makes it slightly taller, slightly narrower and substantially thicker than a Field Notes notebook. It has an orange peel textured green card stock cover stamped with the Dressco peacock.

The cover of the book after six months or so of use. The stitching is only now beginning to fray.

The cover of the book after five months or so of use. The stitching is only now beginning to fray.

Inside it has navy blue inner covers and 84, or 168 pages of SunValley OnionSkin, depending on your point of view.

The paper is what will separate the haters from the lovers (or the “love it but not in that way”ers). The paper is thin and reminds me of the pages in a Bible. I used it as my daily outliner/planner for over five months and found that it takes almost every kind of ink well, but fat nibs and wet inks will feather. The colors look good on the white paper. Only occasionally would ink bleed through to a page below.

Ink tests with different inks, nibs and pens. A pencil even makes an appearance.

Ink tests with different inks, nibs and pens. A pencil even makes an appearance.

The potential problems appear when the user turns the page. Even inks that don’t bleed show through. This will make it an 84 page notebook for many people. Even if you use only one side, the paper is thin enough that writing on a bottom page will show through the page above it.

The other side of the page.

The other side of the page.

The center stitching. You can see the show through from above and below on either side of the stitching.

The center stitching. You can see the show through from above and below on either side of the stitching.

I also found that odd nibs, like the calligraphy nib on a Pilot Prera didn’t like the paper, which does have some tooth. They tended to skip if they weren’t held exactly right against the paper.

That said, I like this notebook a lot. Because I embrace the bleedthrough, I like the extra pages that gives me. Even flipping the onion skin pages is kind of fun and relaxing. I don’t think it needs the navy inner covers but they do look sharp. Other stationery addicts may be more interested in the apricot version.

I’ve already purchased another one, but won’t get to use it for a while.

Pens, Paper and Clumsiness

I only tried to hurt myself once today. Luckily, I failed. I also managed not to buy much today.

I met a fellow pen addict on his second trip to Japan and we roamed around the pen and stationery related sight in Ginza. (Museum? We don’t need no stinking museum.)

The first, Euro Box, was closed, which has become a tradition when the fellow pen addict is in Japan.

At the second, we ogled several gorgeous expensive pens and mocked several others. We only drooled over a couple.

That was followed by bland curry and an art supply store where I noticed there was a short drop off, right after I stepped off it. Except pride, everything held together after the rough step.

Relishing my role as enabler, I took the fellow pen addict to another store where he bought a few things he hadn’t planned on buying.

That was followed by a long walk to a couple department stores where ink was acquired.

I’ve already tested the one I bought. It will be sold at first chance.

Now I have to save up energy. It’s time to go back to work.

And Thus Came the Crash

Short post after a long day.

Spent most of the day teaching. Was shocked at how good some of my students are at lying during an activity that required them to lie. I’ve vowed never to believe any of their homework excuses in the future.

After that spent time gawking at pens with a fellow pen addict who’s managed to finagle his way back to Japan. That was followed by curry, sake, beer and various forms of izakaya food. It was yet more evidence that the pen and stationery community is one of the best communities in the world. (More on that in a future post.)

I’m now falling asleep if I stop writing for even a few moments. I’ll stop writing then, and go to bed.

Shawn Newton Moody Custom Fountain Pen–Long Term Review

Note: Shawn Newton sponsors a terrific scholarship program that comes with postcards and a chance to win a free pen.

Part of the problem of reviewing things you own is that you have to look back and remember prices. This can dredge up any buyer’s remorse that has long been suppressed. This is especially true when you’re reviewing a custom pen and begin second-guessing your choices.

Luckily the Moody I purchased from pen maker Shawn Newton has been worth every penny, including the cost of shipping.

I ordered the Moody right after Newton became a full time pen maker. I like ordering things from new makers and then ordering something new a few years later to see how the maker has improved and/or changed.

The ordering process involved searching the photographs on his website and selecting the basic design, materials and nib material. After that we worked out details like actual size, width, and nib grind.

I chose a largish version of Newton’s Moody design which is a cigar shape with a long section. I chose red and blue swirl ebonite (more on that in a minute) and a gold nib (which contributed substantially to the price). Although Newton offers custom grinds, I chose a basic M nib with basic tuning.

The pen arrived in a handmade pen “kimono” tucked inside what was, at the time, Newton’s new “pen coffin”: a thermal cup with the Newton logo stenciled on the side. This was a nice touch as pen coffins/boxes often end up as trash or as useless drawer filler. Mine is now in use at the school where I work. It’s the pen kimono that I don’t use.

The Moody and everything that arrived with it.

The Moody and everything that arrived with it. (Note: Newton has changed his logo since this picture was taken.)

I was a bit surprised at the pen’s color. Based on photos of the material I had chosen, I’d expected something more blue with swirls of red, but ended up with something more pink with swirls of blue. The blue, however, made terrific blue patterns on both ends that are better than a maker’s logo. Over time the ebonite (hard rubber) has begun to darken to a more coral red/pink.

Capped the pen is 5 11/16” (14.45 cm) long. Uncapped it is 5 1/4” (13.35 cm). It is 11mm at it’s narrowest point and the shape of the section makes it comfortable to use. It has a large drop off where the cap meets the body, but the long section pushes that back away from your hands. Although it’s a very large pen, it’s light and fits my hands well.

The Newton next to a JinHao 159, which is roughly the same size as a Montblanc 149.

The Newton Moody next to a JinHao 159, which is roughly the same size as a Montblanc 149.

Both pens uncapped. The Moody has a better section and is much more comfortable to use.

Both pens uncapped. The Moody has a better section and is much more comfortable to use. You can see how the pen has darkened by noticing the places on the section where it hasn’t.

The main fit and finish issues are mostly my fault. Because I chose a version with a clip, Newton had to do some extra work on the end and the only real flaw in his work is some uneven grinding around the end cap that houses the clip. It’s not bad, and Newton does an excellent job of matching the pattern, but there’s an obvious seam and I can feel where it wasn’t ground evenly on one side. I wish I had gotten a clipless version or had chosen a silver clip.

The clip and the seam. If you look closely, you can see it's uneven.

The clip and the seam. If you look closely, you can see it’s uneven.

Also, because I requested that I be able to use the pen as an eyedropper rather than with just a cartridge or converter, the threads connecting the ink chamber and the section take quite a lot of twisting to open.

However, these are minor complaints and mostly the consequences of my decisions and subsequent changes in taste. Every fellow pen addict who’s handled it has commented on how much they like the color and how comfortable it feels in the hand. One even based his own custom design on mine.

The gold M nib is extremely well tuned and the pen quickly became part of my daily rotation. Although it’s the most expensive pen I own, I’m not afraid to carry it around in my pocket. This is partly because the ebonite gets better the more it is used.

Now I’m thinking about what my next Newton pen will look like. Luckily, it will have to wait a while so I have lots of time to think about it.