Category Archives: Random

Let’s Go to the Mall, Today

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When I was growing up in Colorado, one of our favorite places to hang out, despite us not having much money, was a mall. Now that I’m older, malls are great places to distract the girls and pretend we actually did something when we didn’t.

Because it’s Golden Week and because She Who Must Be Obeyed worked Monday and Tuesday and because our oldest had club, we didn’t get a chance to go out until today. (I was babysitting our youngest/writing/playing World of Tanks.) Unfortunately, our oldest had her own plans to spend money so we sent her to the big city by herself whilst the rest of us went to the mall. More specifically, we went to a new mall called LaLaPort Fujimi, built just a short drive/train ride away.

The only problem with this was, because it’s Golden Week and because the mall is new, about 12 billion people (plus or minus a few hundred thousand) were going to be there. The mall actually has “heavy traffic expected” warnings on its website and the signs were not good.

We decided to take the train and then take a bus but as soon as we got to our station, there were people standing around and signs saying “Hell if we know when the next train leaves” at the front of the station after an apparent suicide somewhere down the tracks. Luckily we only had to wait 20 minutes and also luckily, the trains weren’t that crowded.

After we got to Tsuruse Station, it was such a nice day we decided to walk the 20 minutes to the mall. After we got there, there then ensued the “where should we eat/hell if I know because I’ve never been here before” discussion that usually occurs around lunch time when we’re out. (We ended up at J.S. Pancake Cafe, which turned out to be an excellent choice.)

Oddly, we ended up not buying anything other than lunch and a few things our youngest paid for with her allowance. She had fun but She Who Must Be Obeyed and I were underwhelmed. The LaLaPorts are a chain of malls around the Tokyo metro area and all the ones I’ve been to suffer from a certain sameness. They all have circular layouts designed to improve traffic flow and they all are well arranged through a complex scientific process involving a committee. (Not a joke, the committee was featured on local news/native advertising last week.)

The also have all the same stores.

We don’t have plans to go back, although it’s not that far away, even if we walk. There’s just nothing special about it.

Note: Fans of “How I Met Your Mother” will recognize the title of this post as a lyric from Canadian pop-tart Robin Sparkles epic “Let’s Go to the Mall” (Which manages to make fun of both Tiffany and Debbie Gibson.)

 

 

cKc Victorious–When a Lock is Not a Lock

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I’ve mentioned Kyley Harris of cKc Knives before and how he seems to enjoy solving problems that aren’t actually problems. Today I’d like to talk about his non-locking folder that comes with a lock.

One of the things Harris set out to solve is the problem of friction folders. For those who have interests other than pointy stabby things, a friction folder is a knife that doesn’t lock into place when the blade is open. Instead it relies on friction and/or the hand of the user to keep it open.

The problem with friction folders is that over time they lose friction and don’t stay open. Users have to be careful when using them, lest the blade close on their fingers. The other problem is that they traditionally have an extended tang that sticks out when they’re closed allowing the blade to be opened more easily.

A Japanese Higonokami friction folder. You can see the extended tang off to the left.

A Japanese Higonokami friction folder. You can see the extended tang off to the left.

Harris spent a few months experimenting with designs and consulting with fellow knife makers in order to create an updated friction folder that had a lock that didn’t count as a lock. At one point he even tried magnets and rods on lanyards that could be inserted and removed as necessary.

In the end he came up with the cKc Victorious. It has a small sliding bar built in the blade that can be slid into place. Because it holds the blade in place but doesn’t actually lock it, I prefer to call it a “restraint.” It adds a level of safety if, for example, the blade gets stuck during a cut. As you pull back, a regular friction folder will try to close on your fingers, but the “restraint” prevents that.

cKc Victorious. You can see the sliding restraint and the slot for it at the top left.

cKc Victorious. You can see the sliding restraint and the slot for it at the top left.

The design itself is terrific. The blade is nine centimeters (3.5 inches) long and made from AEB-L Stainless. Open the knife is 20 centimeters (7.87 inches). The handles are anodized titanium.  The blade shape is almost a wharrencliffe but has a rounded edge (perhaps making it more of a sheepsfoot). Fully open and restrained, it looks great. Harris has rounded the handles and off set them from the blade so users can slice without dragging their knuckles across the cutting board.

 

My full cKc collection. The Victorious is third from the top. You can see the great handle shape and the closed restraint.

My cKc collection. The Victorious is third from the top. Note the great handle shape and the restraint. (knives list below)

The other safety feature is the choil where the index finger rests. If the blade tries to close, the index finger will act as a blade stop. This is good because, as always, Harris has sharpened the blade into a scary sharp convex. Although the handle is metal, and Harris prefers a rough, unfinished look to his knives so that people won’t be afraid to start using them, there are no sharp corners to play havoc with your hands. The knife is a lot of fun to hold and cut with with.

I only have two minor complaints about the knife. First, it’s heavy. It weighs 124 grams (or 4.37 ounces) which makes it too heavy to carry in the pocket. Also, the look is slightly ruined by the random hole at the top. This is a legacy from the early days of experimentation.

As I’ve said before, Harris is leaving knife making for more secure work. He will fulfill the last of his orders and then make a few personal knives and then retire from knife making. Those of us who admire his knife making skills and his sense of design will miss his work and we all hope he changes his mind.

Note
Here is a complete list of the knives in the picture, top to bottom:
–3″ Utility
–Slipjoint
–Victorious
–Streamline 2.0
–EDC
–Bait Utility

 

Out of a Closet and Onto the Floor

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Note: This post was edited to correct horrible mistakes.

Yesterday was Showa Day which is now officially named after the Japanese Emperor responsible for the attack on Pearl Harbor but used to be disguised as Greenery Day in honor of his love of plants. Most importantly, it signals the start of “Golden Week” when three holidays and an “aw hell, let’s just give ’em another holiday here” holiday all collide in the same week.

Unfortunately for me, I’d scheduled dirty work for that Showa Day and have a bit more to do on Saturday.

Basically, at long last, I’m moving the “variety pile” and attacking the stuff inside the “variety closet” and the “variety room”. My goal was to throw away stuff I know I’ll never use and save stuff I’d like to have access to but don’t need to have out right now. I then wanted to move our earthquake kit from the floor and put it on top of the wardrobe allowing access to the rest of the kit on a bottom shelf. (Confused? You should actually see the mess and try to figure out the plan behind it.)

If I were smart, I’d basically chuck out every box I hadn’t opened in months without opening them. There are, however, a number of complications.

First, I’m not that smart.

Second, part of the reason the boxes haven’t been opened is that the “variety closet” is stuck behind the “variety pile”. This makes getting at a box a much more difficult chore than it should be.

Third, I have the hoarder’s desire to handle everything at least once before throwing it out. This triggers memories and rekindles the little spark that made me keep the item in the first place which makes me want to find a place for it or swap it out with something I don’t want to use for a while but don’t want to throw out. I did, however throw away a lot of stuff and have a bunch of stuff to donate or give away via Freecycle.

Fourth, even if I don’t experience a burst of nostalgia, I often think of a new way to use the item and justify keeping it.

Finally, there were several decisions I couldn’t make until She Who Must Be Obeyed came home. (She was working on the holiday.) I wasn’t able to finish and currently have a couple extra piles of stuff on the floor, including the trash I can’t throw away because this is Japan.

In some cases, though,  I’m actually (finally) putting the items to use. Mostly as fodder for this blog. (Pictures to follow I suspect.)

TWSBI Diamond Fountain Pens–The New Workhorse

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I bought some pens from Taiwan that were designed with advice from all over the world. One of them fell apart almost immediately.

I’ve written before about how I’ve used Pilot Vanishing Point pens for decades. Last year, however, at the suggestion of some fellow pen addicts, I decided to try pens from TWSBI.

TWSBI is a Taiwan based company that used to produce OEM pens but then decided to design their own. To do so, they gathered suggestions from fountain pen forums (yes they exist) and then gave the forum members chances to comment on designs. (In fact, fans of their Facebook page still get a chance to comment on possible future designs.)

The results were a series of demonstrator (see-through) pens with piston filling mechanisms. (You twist the end to draw up ink and don’t have to mess with cartridges or converters.)

I ordered two: The TWSBI Diamond 580 Black Rose Gold and the TWSBI Diamond Mini Classic.

The TWSBI Mini (left) and the 580 (right).

The TWSBI Mini (left) and the 580 (right).

The 580 is a nice sized pen and because of its smooth writing M nib, it quickly replaced the Vanishing Point as my everyday workhorse pen. (It even appears on this blog along with the Vanishing Point.) Although I miss the nock mechanism on the VPs, and the ability to operate a fountain pen one-handed, I like the ink capacity of the 580. I was worried I wouldn’t like the Rose Gold, but once I had it in hand, I immediately liked the copper look of it.

Also, TWSBI includes tools that allow the user to disassemble and clean the pen. I haven’t done that yet, but I have had to replace the cap and the nib assembly on the Mini. (And the nib, but that’s not TWSBI’s fault.)

The Mini is designed for pocket carry. It is small, but the cap posts making it much longer and much easier to use. I also got it with an M nib and even though it’s smaller, I like the ink capacity.

The only thing I didn’t like was the cap. I noticed out of the box that the clip on the Mini moved side to side. I though it was simply too flexible but over time I realized that cap was cracked. Eventually it cracked all the way around the entire finial fell off.

You can see the damage. This is a but not a feature.

You can see the damage. This is a bug not a feature.

I also noticed, after a couple rounds of inked fingers, that the MIni leaked ink. Careful inspection with a loupe revealed that the end of the nib assembly was cracked. I contacted TWSBI and without any proof–although I did offer some–they sent me a new cap and a new nib feed.

Unfortunately when I was reinserting the nib and feed, I didn’t set the nib correctly and when I put the new cap on I felt the nib go crunch and ended up with a nice hook nib. I ordered a new nib from a local vender, installed it correctly, and now the pen works perfectly.

The 580 nib (top) and the Mini nib (minus the hook).

The 580 nib (top) and the Mini nib (minus the hook).

Despite these issues, and stories of cracked plastic from other users, I recommend TWSBI pens for those looking to try a fountain pen for the first time and for those who’ve been playing with cheaper mass-market fountain pens and are ready to move up in quality. The customer service alone is worth the price and the risk. Also, if there are a series of common complaints, TWSBI usually redesigns the pen to fix the problem.

I’m not as big a fan of the Mini as I am of the 580. The Mini’s grip section is a bit too short and something about the balance with the cap posted doesn’t feel right. I am tempted to sell it and get a second 580 (either clear or orange).

A dirty pen and whiskey in a dirty glass. Bad ideas ahead.

A dirty pen and whiskey in a dirty glass. Bad ideas ahead.

 

WC Knives Woodlore Clone and Woodcarver–Down Home Custom Knives

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A couple years ago, on the recommendation of a guy I’d only seen on YouTube I sent money to another guy I’d only seen on YouTube. Oddly, I think I got my money’s worth.

The Knife Maker:
As part of the tithing I’ve talked about before I ordered knives from a writer and knife maker named William Collins the founder of WC Knives. Collins is based in Texas and at the time I ordered my knives had only been making knives for about eight months. (He began in December 2012.)

One of the interesting features of sending him your money (he insists on partial payment up front to cover materials) is that he sends you frequent videos of the progress of your knives. This includes his mistakes–he made one on mine which slowed things down–and the answers to any questions you may have.  He then includes the videos as part of the package he sends with the final product.

In my case, his charming nature actually helped sell the purchase to She Who Must Be Obeyed. I was mostly impressed that his workshop seemed to be mostly outdoors.

The Knives:
I ordered two knives, the WC Knives Woodlore Clone and the smaller Woodcarver.

The Woodlore Clone (top) and the Woodcarver with their sheaths.

The Woodlore Clone (top) and the Woodcarver with their sheaths.

The knives have single bevel or “Scandi” grind drop-point blades and are made from 1095 steel which sharpens easily, holds an edge reasonably well and rusts at even the mention of water. They have hunter orange G10 handles with black G10 liners, brass pins and brass lanyard holes. The Woodlore Clone has a 4 inch blade and is 8.67 inches long over all. The Woodcarver has a 3.16 inch blade and is 7.16 inches long.

I chose Kydex sheaths with leather loops. Collins gives you a choice of sheaths, although it’s also possible to get them without sheaths.

For a new knife maker Collins did a terrific job. There are a few flaws: the “Scandi” grind is uneven on both knives–annoying mostly because it affects cutting–and the lanyard hole is partially blocked on the Woodlore Clone as if the G10 liner slipped after it had been drilled.

I’m also discovering I’m not a big fan of “Scandi” grinds, but that’s not Collins’ fault.

A close up of the blades.

A close up of the blades before any use.

The best part, though, is the handles. Collins does a terrific job producing beefy handles that don’t seem to have any hot spots and there are no gaps where the handle material meets the tang. They are easy to hold barehanded or with gloves and are so comfortable you actually want to go out and cut stuff with them. (Meaning I need to repatriate them to the USA so I can actually use them more.) I’ve used them as much as I can around the house and used them enough on wood and cardboard to dull them but they are really meant to be used outdoors.

I like them enough I’m considering another purchase. Until then, I can’t recommend his knives strongly enough. He’s always coming up with new designs and tests them on his YouTube channel. Lately he’s been working with better quality steels which has driven up the price some, but he’ll make whatever you order.

He’s also an avid hunter who’s not afraid to use one of his knives to butcher a squirrel or pig on camera. He will also show you the time he spent in the woods without getting a deer.

That said, anyone interested in ordering a knife should know that he has a large backlog and that he takes deer season off until he fills his tag.

Detail of the WC Knives logo, which he hammers in with a sledge hammer and the G10 handles.

Detail of the WC Knives logo, which he hammers in with a sledge hammer and the G10 handles. Note the thumb grooves in the handles.

You Don’t Have to be Crazy But it Helps

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Several hundred years ago, when I was at university, I had a teacher take out a gun and shoot a student who was waving a sword at him. This teacher has had a lot of influence on me and the way I teach.

He also helped me solve a mystery.

The class was an introductory history class called “The Rise of Europe” and took place in shockingly dungeon like rooms in the old Dennison Hall at Kansas State University. (No windows, partly underground, men with swords.)

At first the class was taught by a TA who learned public speaking from the “Read Text In Monotone Lifeless Drone-Like Manner With No Expression At All” school of speech. (It exists.)

Then, on about the third class, I noticed there was a new, rather rickety looking, podium in place of the old podium. There was a also a mustachioed man in a cowboy hat who introduced himself as Professor Robert Linder and explained that everything we’d heard about him being tough was a lie. This lie upset him so much he started shouting and knocked the new podium over and it broke into several pieces.

At this point, a young man ran into the room and pointed a sword at Professor Linder and demanded that he tell the truth. Linder took out a small revolver and shot the young man. A couple TAs quickly cleaned up the mess and disposed of the body.

We immediately realized our professor was probably crazy.

That turned out to be his gift, though, and made his advanced classes the hardest to get into in the university. (With one exception.) At various times during the year he would give out Gummi bears if we answered questions. He also once stripped his shirt off and invited students of the same ethnicity to join him in a ritual bath. (Something to do with Swedes and/or Vikings, I don’t remember.)

He’s the only teacher I ever had who made us sit in alphabetical order and took roll in a large lecture class. He also would pick chairs on the front row and repeatedly take the same line to the person in that chair. A woman in the front row to the right of the podium would always hear about a historical person’s “piercing blue eyes” as Linder leaned in and stared at her. (One time the woman was absent and he mentioned that if she’d been there he’d have mentioned the blue eyes.)  A man in a seat to the left of the podium would get shaken by the shoulders (for various reasons).

After finishing his class, I managed to land a spot in his History of Christianity course. During that class he solved a mystery.

At various times, during classes in Eisenhower Hall, we’d hear someone yell “SHUT UP!” somewhere down the hallway. We never knew who this was.

The mystery was solved in History of Christianity when Professor Linder explained how St. Francis of Assisi had dealt with noisy birds in the church belfry. Linder said Francis had walked closer to them (as he himself walked to the door) “He looked up at them” (sold with a dramatic hand gesture) “and said” (Linder leaned out the classroom door into the hallway) “SHUT UP!” (Yelled at the top of his lungs.)

Mystery solved.

I’ve adopted the alphabetical seating and the habit of taking specific lines to a student in the front row. I also brought a sword to class once.

Nowadays, though, that would probably get me sent to jail.

My Brief History of Dance

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I was watching a video today and in the background I heard the song “867-5309 / Jenny” (you don’t have to play it, it’s already in your head) and that has me thinking about cocaine.

My only experience with cocaine happened back when I lived in Hayden, Colorado. For some reason I don’t remember there was a dance in the old elementary school gym and for some other reason I don’t remember I went, which is not something I was wont to do. (To this day it requires copious amounts of alcohol and/or viable threats to get me on a dance floor.)

I vaguely remember a dance when I was in sixth grade that involved sixth grade boys standing on one side of the room and all the sixth grade girls standing on the other side. All were waiting for either 1) the dance to end or 2) a sacrificial lamb to be the first to the slaughter.

I, of course, was that lamb. Our teacher, Miss Trimble, went around trying to get people to dance. She then suddenly grabbed me and ordered me to dance. Of course, for a few minutes, we were the only ones dancing which remains a horribly surreal moment in my life, especially when one group of students applauded my sacrifice. (Something like that.) Eventually everyone danced, but I don’t remember if I danced after that.

The incident involving cocaine happened after that (I think). All I remember about that dance is that there was a mix of ages and there was a dance contest that somehow I got roped into.

Although I’m sure my goal was to get thrown out of the contest as soon as possible, what complicated that plan was my partner and I kept passing through to the next phase of the competition. At some point the song of choice was “Cocaine” (I don’t remember if it was the J. J. Cale original or the Eric Clapton cover). Thinking back, although Clapton has always claimed the song was anti-cocaine, I’m still amazed it was possible to play a song with that title at a school function.

I the end my partner and I didn’t win. I think it was cocaine that ruined it for us. There’s a lesson in there somewhere.

Now You Don’t Need It Now You Do But Now You Don’t Remember

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Every now and then someone asks me how I teach a particular unit in the textbook. At first, I can usually only give them a blank stare and a couple semi-coherent grunts. By the time I think of the advice I should give, they’ve already dismissed me as brain damaged and/or insane.

Sometimes when I’m teaching a class, I suddenly remember how to teach the lesson and suddenly have to change plans on the fly.

Part of the problem is I suffer from an extreme case of what I call “Actor’s Memory”. Actors memorize a surprising amount of lines and blocking over the course of months in order to be able to do a few performances (in the case of plays). There’s constant repetition and review in order to make the blocking second nature and allow them to work on the emotion behind the lines.

When those plays are over, though, the lines go away. In my case, I remember performing in the plays, and I remember a lot of the problems involved with a couple of the plays, but I only remember a few lines despite spending two months saying them.

I suspect this stems from a kind of compartmentalization of memory. I needed the lines when I needed them and reserved a portion of my brain for them. Once they were no longer needed, I freed up that bit of memory for important stuff like Bloody Mary recipes and movie lines. In some cases I forgot the lines within days of the play finishing, even when I only had a few lines.

This also applies to computer related stuff and visa renewal tasks. I study how to do something and then spend time doing it but then a year later I’ve forgotten what I did and have to study it all again.

In the case of teaching, I try to remember what I did but it’s not until I’m actually up performing that my lines begin coming back to me. That happened this past week when I suddenly remembered the activity I’d done the year before and started doing it.

Granted, I’ve written all this stuff down but just staring at the script doesn’t bring back the blocking, so to speak.

Also, sometimes I just forget where I put the notebook.

 

Not What I Intended At All

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I just spent the better part of an hour trying to find a couple pictures I probably took. Because I couldn’t find them, today’s post is brought to you by bad planning and disorganization.

I had intended to write about various pen cases today until I started looking for the pictures I was going to need to do it. After a relatively thorough search of my computer and extra storage I couldn’t find all the pictures I was looking for. This means a couple things:

1) I’m looking in the wrong place.
2) I need to label my pictures better and learn to use keywords.
3) I accidentally deleted the pictures.
4) The pictures don’t actually exist and I only imagined taking them.
5) I took the pictures but they sucked so I deleted them on purpose.

All of these, especially the latter two, are strong possibilities.

One of the curses of modern cameras is actually caused by their strength: because they no longer require film, pictures are cheap to take and, because you’re not limited to rolls of 24 or 36, you can fire away with reckless abandon. The trouble is, you end up getting random details of stuff you don’t know what they are:

There must have been a point to this but I didn't label it.

There must have been a point to this but I didn’t label it so I don’t know what it was.

At the time this probably seemed like a good idea but I don't remember.

At the time this probably seemed like a good idea but I don’t remember.

I now have thousands of photos to sort through on just one computer and that doesn’t count the external hard drives. If I were more industrious I’d sit down and sort and relabel them all to make the searchable.

Instead, I’ll probably end up retaking photos of all the pen cases I wanted to talk about for the post. The problem is, there’s at least one pen case that’s been been put somewhere where I won’t forget it.

That means I’ll have to search until I remember where it is.

cKc EDC–An Awesome Solution in Search of a Problem

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I own a knife that solves a problem that probably wasn’t a problem. It’s still an awesome knife, though.

First some background: After I started renewing an odd interest in knives, I discovered cKc Knives. cKc Knives is run by Kyley Harris, a part-time knife maker in New Zealand who made videos that were one part humor, one part profanity and one part awesome. (In one great video, he proved a metal ruler could cut paper as part of a response to ludicrous claims from another YouTuber.) He also had one of the greatest sales videos I’ve ever seen when he proved his awesome sharpening skills by slicing a computer manual in half as easy as cutting warm butter.

He also approaches knife making from an attitude that’s best described as a mix of scientific curiosity and “why the hell not?”

As such, his knives don’t look like anyone else’s and have features that seem more like responses to other people’s claims. To prove that the shape of handle matters more than the handle’s material, he made a knife out of a material that’s slipperier than Teflon.

My favorite knife (although just barely) is the cKc EDC framelock. It was his first framelock and it was his attempt to make a lock that wouldn’t fail.

Note to non-knife people: One of the favorite past-times on YouTube is to take a folding knife and slam the blade spine on a table to see if the lock will fail, causing the knife to close on the user’s hand. The theory being that if it fails like that it will fail and close on your hand when you’re whittling a stick or opening a box you got in the mail. (Something like that.)

The cKc EDC from the side.

The cKc EDC from the side.

The cKc EDC, though, has a lock that’s designed to never fail. Harris designed the lock with a groove that, in theory, will act like a catcher’s mitt and catch the lock bar. He tested it by locking different knives and the EDC in a vice and hitting them with a broomstick. He sheered a piece of one knife but the EDC didn’t fail.

The problem is, though, that it’s unlikely anyone would ever hit the back of a knife like that unless I was, for some inexplicable reason, using a folding knife to hammer a nail. As such, the lock on the EDC solves a problem that’s not a huge problem on most knives.

Also, the trade-off is that the lock design leaves the knife with a slight rattle. To allow for the groove, the blade has to move a little. This goes away when you grip it and start using it, but it’s still a bit disconcerting the first time you shake the knife and it rattles. I bought it used and had to take it apart and clean and oil it a bit to make the blade open smoothly.

That said, I like everything else about the knife. The ELMAX steel holds an edge well, although, because I live in Japan, I haven’t had as much chance to test it out as I’d like, and the titanium scales and handle shape are surprisingly comfortable. It has a 3.1 inch blade (8 cm) and is 7.4 inches long (18.6 cm) it’s the prefect size to carry around the house.

Unfortunately, Harris has taken a hiatus from making knives. However, if you’re interested, check out his shop on Gearbastion, where you can also find a lot of other new knifemakers, from the USA, the UK, Australia and New Zealand.

I hope he starts making knives again soon. Until then, keep watching Gearbastion.