Category Archives: Random

Belated Popcorn and Half a Movie

It was another one of those days, but in a good way.

Today our youngest insisted on going to a movie so she could use the discount coupons we’d received for some reason or the other. I used my powers of persuasion delay and whining (Example: “I went last time! I went last time! It’s your turn! It’s your turn!”) to convince She Who Must Be Obeyed to go. I pointed out that 1) the movie was in Japanese, 2) Someone would have to drive and 3) she could enjoy a nap as she traditionally falls asleep during movies (even those at home).

Oddly, this persuasion worked and She Who Must Be Obeyed took our youngest to the movie.

However, it turned out that they made it to the theater with just three minutes to spare and didn’t have time to get popcorn. (From my point of view, this means the movie sucks by default).

Later, they brought home Baskin Robbins ice cream, including the awesome (therefore doomed) German Chocolate Cake Ice Cream which gave me flashbacks of my default birthday cake when I was growing up. They also brought home the tale of woe about how they hadn’t had any popcorn and that meant the movie sucked. (Something like that.)

However, because they got back relatively late and because we’d had a hefty amount of ice cream, no one was hungry for supper. She Who Must Be Obeyed and I had a moment of ESP and we both said “popcorn” at pretty much the same time. This meant we got to eat popcorn for supper, which is one of my favorite suppers. (There was also leftover pizza, which is another favorite supper.)

We then sat down to watch Harry Potter and the Half Blood Prince. This time it was my job to sit with our youngest as this is a scary movie and I needed someone to comfort me. (Strike that. Reverse it.) She Who Must Be Obeyed finished her nap and we got to see half the movie before it was bath and bed time.

I’ll get to watch the rest another day, but probably without popcorn, which means the movie will suck.

 

Noodles and Beer in the Afternoon

A friend and former colleague is back in Japan and because I was at work on a Saturday (long story) he came back to the school and I showed him all the new toys that had arrived since he’d left. We then went for a beer and a bowl of ramen soup.

One of my relatives once scoffed at the idea of an eight dollar bowl of soup. I told her she was missing out. She remained skeptical even when I pointed out it was only eight dollars because of the exchange rate.

Part of the problem is that ramen soup, in the USA at least, is sustenance for graduate students. In 1995, while I was at Ole MIss, I vaguely remember the price being a dollar for a pack of five. A quick check of some websites tells me that’s what the price is now. This means, oddly, that ramen is one of the few foods to go down in price relative to inflation. (The inflation adjusted price should have been $1.54 for a pack of five.)

This notion of cheap graduate student food is also true in Japan, the difference is it’s also food for workers with short lunch breaks.

The other difference is that if you spend a little more, you get well made ramen, even at a national chain. My friend and I went to a chain that is quite typical of ramen chains. You buy tickets for what you want from a vending machine near the door and then one of the staff fetch the tickets and start preparing your order. This way employees never touch the money and the store has a good sense of what sells and what doesn’t.

A lot of this is designed to get you in feed you and then usher you out as quickly as possible. My friend and I, however, did not do that as the other good thing about most ramen restaurant chains is they sell beer from the moment they open until they close.

We bought ramen, gyoza and a beer and then got confused when we actually had the choice of bottle for draft (we chose draft). We both spiced up the ramen with garlic greens mixed with red pepper sauce and destroyed the ramen, as people are supposed to, as quickly as possible. We then sat around catching up for a couple hours hogging the only real table in the restaurant.

Oddly, we only had one beer each, at least until we visited a grocery store and my friend bought a canned whiskey drink and walked back to the station with me.

 

Kokuyo IDEA Notebooks–A Good Notebook Full of Bad Ideas

The Kokuyo IDEA notebook is a great idea in the wrong size and shape.

For those of us sick enough to follow the stationery and pen business, the trendiest paper you can use as a fountain pen user is Tomoe River paper from Japan. (Note: that’s Toe Moe Eh with the last syllable pronounced the same as “day”)

Tomoe River paper is thin but fountain pen friendly, meaning when you use a fountain pen, ink doesn’t bleed through and stain the page below. Unfortunately there aren’t that many products made with Tomoe River paper except thick notebooks and annual planners that are too thick to carry.

However, Japanese stationery company Kokuyo recently produced the JIBUN_TECHO or personal diary system (link in Japanese). It is a personal calendar and diary system comprised of a reusable cover filled with three replaceable and interchangeable inserts: DIARY, which is a daily planner made of Tomoe River paper; LIFE, which is a kind of organized book of lists made from thicker Mio paper; IDEA which is Tomoe River paper printed with dot grid graph paper pattern designed for random scribbles and scrapbooking.

The main problem with the IDEA notebook is the size.  At 21 cm by 12.5 cm (8.26″ by 4.9″) it is too big to fit in a pocket which means you always have to have a bag to carry it in. It’s also too wide  to fit in the popular Midori Traveler’s Notebook leather covers (more on that later) .

The IDEA notebook compared with a Field Notes notebook.

The IDEA notebook compared with a Field Notes Red Blooded notebook.

That, however, is my only complaint. The notebook consists of 40 sheets of Tomoe River paper stitched together rather than stapled and printed with a 3 mm dot grid pattern (with a hard rule on the left). Despite the size, it’s the paper that makes this an excellent notebook. Tomoe River paper is unlike any other paper and is a treat to write on. I use mine to record a daily list of ten or more ideas–business ideas, article ideas, blog post ideas, ideas for other blogs, and lots of bad ideas–and I rotate to through my various fountain pens and inks.

Thus far the only ink I’ve had problems with is Noodler’s Apache Sunset which seems designed to test the limits of every form of paper. It has a lot of ghosting and, especially with a thick nib and/or a flex nib, occasional spots of bleedthrough. This doesn’t bother me as I’ve learned to embrace the bleedthrough, but it can be a deal breaker for some pen users.

An example of the ghosting. Surprisingly, it didn't bleed through to the next page.

An example of Apache Sunset ghosting from a Kaweco Sport with an M nib. Also a good look at the dot grid pattern.

Unfortunately, the system isn’t very popular in Japan and I can’t imagine the notebooks being around much longer. That said, Kokuyo also recently released an IDEA mini, which is 18.2 cm by 10.7 cm (7.2″ by 4.2″) that appear to fit in the Traveler’s Notebook cover with some room to spare. They can be purchased from Nanami Paper.

I have a few of those, too. They are built the same and have the same paper and dot grid graph pattern. They just don’t hold as many bad ideas.

 

 

 

 

Getting Cold One Last Time, Probably

I once had a Kansas farmer snicker at me in a “you poor naive lad” kind of way when I cited the TV weatherman as a source for what the weather would be in a few days.

One of the things Kansas farmers, actually all who live in Kansas for that matter, realize is that weather people are, more or less, making stuff up as they go along. In fact I’ve always argued that in Kansas “The weatherman says” is the phrase you use to start a joke instead of “Guy goes into a bar” This is because in Kansas the latter phrase used to be used in this manner: “Guy goes into a bar, finds out he has to buy a membership or he can’t buy a drink.”

Even though that changed a long time ago, “guy goes into a bar” jokes aren’t that popular.

I bring this up because despite it being almost shorts and t-shirt weather just a few days ago, today it snowed here in the Tokyo/Saitama. I was the only one who wasn’t surprised as one of my odd mantras about life in this area is “It always gets cold one more time. Even if you think it won’t get cold again it will get cold.” Today that was true with a vengeance.

Getting snow isn’t that unusual (it snowed in April five years ago) what was unusual was that it actually stuck in a few places rather than quickly melting. What was also unusual was that it kept snowing well into the afternoon.

It had a happy ending though because She Who Must Be Obeyed used it as a last chance to make chili. Since we used up all our kerosene for our small kerosene heaters we needed something to warm us up.

Tomorrow the weatherman says it’s going to be partly cloudy and 55 degrees Fahrenheit (13 Celsius). That’s a funny one. I’ll believe it when I see it.

 

Note: Heavily edited for clarity on August 7, 2015.

Levenger Sunset Fountain Pen By Stipula

It’s really depressing when you open a purchase and your first thought is “How the hell am I going to get this fixed?”

This happened to me when I bought a pen from online retailer Levenger. The pen was the Levenger “Sunset” made by Italian pen maker Stipula. It had sterling silver decorations on top of blue cracked ice acrylic and that made it look vaguely like R2-D2. I liked the look and I liked the Italian pedigree and liked that it was priced to sell after a huge price drop.

This is not R2-D2 and that's a sunburst logo not a sunset.

This is not R2-D2 and that’s a sunburst logo not a sunset.

When I got it the first thing I noticed was the silver was tarnished. I emailed Levenger and their reaction was “Yeah, how about that.” In their defense, it wasn’t worth anyone’s effort or money to ship back to the USA for polishing and then have it shipped back to Japan.

I was also surprised that the word “Stipula” appeared nowhere on the pen. It only says “Made in Italy” under the Levenger Sunset inscription on the barrel to prove it wasn’t made by Levenger’s normal manufacturer.

I started using it and immediately liked the larger size. It’s 11.7 millimeters (just under half an inch) at the grip section and unposted it’s 5.4 inches (137 mm) long. Posted it’s an absurd 6.5 inches (166 mm). With the cap posted it’s too long to use comfortably.

The pen and cap. I like that cracked ice acrylic a lot.

The pen and cap. I like that cracked ice acrylic. The photos, unfortunately, don’t do it full justice.

A size comparison with my Cross Century.

A size comparison with my Cross Century. Note the scuff marks on the shoulders of the nib.

As I started using it I noticed that although it was a smooth writer–it’s a Rhodium plated 14 carat gold nib–it had an annoying problem. As I wrote, one of the tines would click out of place and I’d have to hold the pen slightly sideways to get an even ink flow. If I turned the pen over and pushed lightly I could hear the tine click back into place.

This became annoying enough that I finally put it way for a few years until last year when I sent it off to Mike Masuyama for work. He fixed the tines and smoothed the nib and it’s now one of my favorite pens. Despite its size it’s light and a pleasure to write with. It currently has Aurora blue ink in it which makes it even smoother.

The only remaining annoyance is caused by the silver plating. To accommodate the silver pattern and the sunburst (it’s not a sunset) on the cap, the clip had to be moved down the cap and this means the slot for the nib is small. Also, there’s a lot of metal inside there and it has to be cleaned frequently or it starts to corrode. Over time I’ve scratched the shoulders on the nib. It doesn’t hurt the writing experience, but I also have to be careful that everything’s centered when I put the cap back on or I risk mangling the nib.

That said, I’m pleased that after several years the pen finally became a purchase worth getting and something worth keeping.

The nib and cap. You can see the Levenger logo and the scuffs on the nib shoulders.

The nib and cap. You can see the Levenger logo and the scuffs on the nib shoulders.

Crowds Damascus Steel and Almost Cut Faces

I almost cut a woman’s face off today.

In my defense, she was behind me and she was holding the knife too close to her face.

Today was the Japan Custom Knife Makers/Japan Knife Guild Custom Knife Show in Ginza. As always, I froze my credit cards in blocks of ice and headed down to the show.

This year’s show was crowded and I was pleased to see lots of women who seemed to have an interest in knives and that lots of knives were being marked SOLD.

Soon after the doors opened. It's already getting crowded. Not everyone is set up.

Soon after the doors opened. It’s already getting crowded and not everyone is set up yet.

I’ve been around the shows enough that people are starting to talk to me. I’ve even discovered a few English speakers. One guy asked if I was a distributor and I went “No, I’m a, wait, if I say I’m a distributor will I get a discount?” Suddenly he forgot English.

The other trend this time was Damascus steel. Almost every knife maker had a version of their knife made with Damascus. The man who asked if I was a distributor was famous blacksmith/steel maker Kazuo Nomura. His most impressive knives were mix of aogami super steel and different shades of copper. The problem was they were only sold as a set of 10 and the set was $10,000. They also had hand made maki-e handles to help justify the price.

The three on the left are part of the set. The one on the right is extra.

The three on the left are part of the set. The one on the right is extra. Would you really bone chicken with these?

Close up of the damascus steel. This would be a pain to clean and keep dry.

Close up of the Damascus steel. This would be a pain to clean and keep dry but it looks cool.

A different knife maker's version of Damascus. These are only $125.

A different knife maker’s version of Damascus. These are only $125.

Although everyone was friendly, I think it’s time to move the show to a bigger hall. As the show got crowded it got hard to move around in the small room. At one point, my Canadian friend pulled me away from a woman I was about to bump. When I turned around she was holding an eight inch Bowie knife up to her face to read the logo or check the polish.

Also, it would be nice to see knife-related goods like sheaths and sharpening utensils. There are already a couple vendors who sell knife parts for knife makers they should also start carrying some Japanese waterstones.

Despite the Damascus trend, there was a better mix of knife types than some of the earlier shows I’ve attended. They makers had flippers, lockbacks, fixed blades of different types and a even a few novelty knives that were kind of fun.

This is sharp and way too small for my hand.

This is sharp and way too small for my hand.

It made me look forward to the next show, which doesn’t always happen. I’ll have to keep my credit cards frozen though.

 

Cute Fashion and the Fashionably Cute

Although they are very interested in looks and fashion and branded goods, the Japanese don’t seem to have an interest in beauty pageants.

Instead they’ve found a way to connect annoying cuteness with fashion and high-tech consumerism in something called Tokyo Girls Collection.

Tokyo Girls Collection is a fashion show and concert held in a large arena and is open to the public as well as journalists and buyers for stores. The models usually have a girl next door appeal and many are singers and actresses representing fashion companies and magazines and not professional runway models. Most appear to have eaten at least once in the last year.

The thing that makes the show interesting, even as it’s featured endlessly on the news for two days, is not only the spectacle of it but the shocking ordinariness of it all. This isn’t a Paris fashion show steeped in pomposity, false sophistication and the tragically trendy where the clothes being shown will never actually be worn–the fashion equivalent of concept cars–it’s ordinary looking people (albeit annoyingly cute ordinary people) wearing clothes that can be purchased at the show.

In fact, part of the spectacle is the droves of young women trying to watch the show whilst simultaneously working their smartphones to try to buy the clothes and accessories they’re seeing on the runway. In some cases the clothes can be picked up at the show; in other cases they are shipped to the buyer. Every year the news features a handful of young women who’ve both succeeded and failed to acquire what they were hoping to acquire. There are also interviews with women who’ve traveled several hours to be there.

The show has been popular enough over the past 10 years to spawn several rival shows–including a Tokyo Boys Collection–and has even been sent off to Beijing and the USA. It’s also grown in size and spectacle with more bands and more brands.

Eventually, I predict, it will simply become a concert and people will forget about the clothes.

Show Me the Losers and Show Me the Tears

In honor of Ariana Miyamoto becoming the first half-Japanese Miss Universe Japan last month, I’m suddenly thinking about the worst beauty pageant I’ve ever seen.

Oddly, you can blame the Italians.

I think it was 1993, but I’m not sure. All I know is I was up north in Shkoder visiting my friend Eddie and, as was common, the TV was set on an Italian channel. The Albanians enjoyed their new freedom to watch foreign TV without the threat of going to jail and a lot of them had picked up Italian as a second spoken language.

I couldn’t understand Italian at all and Eddie was keeping his Italian skills secret, but it was beautiful Italian women dressing beautifully or barely dressing which meant it was worth watching.

At least that was the premise; then it got bizarre.

First all the women performed a dance that was apparently choreographed by some famous choreographer as the person’s name kept being flashed on the screen. The problem was the dancing amounted to the women standing in geometric patterns and waving their arms to the rhythm of the music. Even the fact the women were in bathing suits couldn’t override the bizarre.

Then there was some kind of vote held that may or may not have involved telephone polling. As soon as the poll was complete, the survivors were announced and then sent off stage and the emcee interviewed the losers. I couldn’t understand what was being said but I think it amounted to:

emcee–How bad does it suck to be a loser?
loser–It sucks pretty bad.
emcee–Are you sad to be loser?
loser–I’m very sad.
emcee–Now get off the stage, loser.
loser–Thanks for inviting me! Viva l’Italia!!

Then the survivors were brought out to do more posing and another dance involving geometric shapes and hand waving. Another poll was taken and the survivors were sent off so the losers could be interviewed.

Along the way Eddie and I held our own poll (which is not dirty) and decided our personal favorite was a woman with a pageboy haircut and a sophisticated university look.

At some point the emcee brought Gina Lollobrigida on stage to do the “serious interview” portion of the contest. Our sophisticated university girl went first and was so moved by standing near the famous Italian actress/sex symbol, she burst into tears and was unable to speak. Gina Lollobrigida comforted her but you could tell she wouldn’t survive. She didn’t.

Eventually a winner may have been crowned but I don’t remember her name. I may have stopped watching by that point. All I remember is the dance and the losers.

The Last Train and the First Train

One of the decisions you have to make when you live near Tokyo is how late you want to stay out when you’re spending a night out on the town. Your choices are simple:

1) Go home early.
2) Stay out all night.

You can not stay out “later than usual”. If you try to do this, you will stay out all night.

This is because Tokyo’s train system begins shutting down between 11 and midnight. If you have to catch two or more trains, you have to be aware of the last train on each line. The last train from the closest station may depart at 12:45 a.m. but the last train you can take to get home may leave at 12:30 a.m.

If you miss one key train you will miss all of them and may find yourself taking a taxi home or back to the bar.This makes for odd schedules. The Yahoo Transit site tells me that 12:45 a.m. is the last train from my Ikebukuro heading my direction. It stops about half way and then the instructions tell me the next connection leaves at 4:59 a.m.

This also makes for odd evenings.

I remember meeting a friend from high school and university who’d been living in Japan since the 80’s. I hadn’t seen him in decades, but after only a few drinks and some reminiscing, I had to leave for home at 10 because the bar was in a strange location and I had four trains to catch. It was either “Sorry but I turn into a pumpkin at 10:00”  or I had to say “I know I haven’t seen you since the Reagan administration but can I crash at your place?” (It might have worked with him; it doesn’t work with ex-girlfriends, though.)

The other choice is to stay out all night. The first trains start around 5:00 a.m.

What typically happens around last train time is the working people, the Cinderellas, rush to the train to get home or their wives will throw pumpkins at them (something like that). To reach the train they have to human slalom around the college students and party animals (Vampires) who have the energy to stay out all night and are just heading to the clubs.

The last train is typically one of the worst rides you can take. It’s crowded and full of drunk people. It’s one of the few times I feel nervous riding the train.

If you’re not interested in playing Vampire but don’t have any one who will throw pumpkins at you the next day, there are other options, but they are expensive. There are capsule hotels and, if you can find one that takes singles, Love Hotels. They are safer than the last train and the prices are usually comparable to taking a taxi home.

In fact, I suspect it’s the hotel and taxi industry that lobby to keep Japan Rail and the private train lines from operating all night.

 

 

Slowly at First Then Faster and Faster

I’m a good enough dad that I’ll go to a concert even when I’m tired. I’m a good enough photographer that I’ll keep the camera straight when I’m asleep. Mostly.

Today was a special concert for our oldest’s brass band club. It was the final performance for all the 3rd year (9th grade members) and took place in a large auditorium with professional lighting.

As always, it was a good performance but there were two problems:

1) last night was the final (probably) farewell party for a departing colleague and I didn’t get home until the next to last train. (I actually wrote yesterday’s post early because I knew I wouldn’t be home until late). (More on “last trains” and “first trains” in another post.)

2) The band front-loaded all the serious slow songs. The songs were so serious the students actually wore their uniforms and sat seriously.

I was using a monopod and had situated it with one hand more or less strapped to it as an anchor and the other holding it straight. Several times during the performance I caught myself waking up but subsequent check of the video showed little drift. Luckily I didn’t experience a Hypnic Jerk (which would make a great band name) or the film might have been more exciting.

Only once did I catch myself falling to the side, but on video it looks more like a clumsy adjustment.

After the five slow songs and, as it turned out, the accompanying nap, there was a ten minute intermission.

During that break the band changed to jeans and t-shirts and came out for the real performance: theme songs from movies and a couple of the girls acting like Ariel from Little Mermaid (who suddenly went blonde) and another girl dressed like Captain Jack Sparrow. We then listened to “Under the Sea” and the theme from Pirates of the Caribbean and medleys of various Studio Ghibli tunes.

During the third phase (Japan Pop Tunes) the graduating 9th graders put on funny hats and sunglasses and tried to induce the audience to join in a popular dance to the song “Gera Gera Po (Yokai Watch)”. The effect was something like this. (You don’t need to understand Japanese; it might be worth watching a minute or two.)

At some point there was the obligatory random standing, but at times there was also actual dancing, which is one step away from marching, but not as annoying.

It ended with one parent encouraging the audience to shout “Thank you” to the graduates, which led to lots of tears.

Next year, I’ll have to go again for our oldest’s graduation performance. I’ll try to be more awake then, but I make no promises.